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Industrial Archaeological Sites of Britain Weidenfeld & N? Anthony Burton? Weidenfeld&N? AnthonyBurton? ジャンル別? Subjects-History-Europe-England-General? Subjects-Science-Technology-General&Reference Red Gold of Africa Copper in Precolonial History and Culture Univ of Wisconsin Pr? Eugenia W. Herbert? UnivofWisconsinPr? EugeniaW.Herbert? ジャンル別? Subjects-Business&Investing-Biographies&Primers-PopularEconomics? Subjects-Engineering-Materials-Metallurgy? Subjects-History-Africa-General? Subjects-Nonfiction-Economics-General? Subjects-Professional&Technical-Engineering-Materials-Metallurgy? Subjects-Professional&Technical-Accounting&Finance-Economics-General? Subjects-Science-Technology-General&Reference Basic Technical Japanese Univ of Wisconsin Pr? Edward E. Daub? Byron R. Bird? Nobuo Inoue? UnivofWisconsinPr? EdwardE.Daub? ByronR.Bird? NobuoInoue? ジャンル別? Subjects-Nonfiction-Education-Reference-Dictionaries&Thesauri-English(All)? Subjects-Nonfiction-Education-Reference-Dictionaries&Thesauri-ForeignLanguage-Japanese? Subjects-Nonfiction-Education-Reference-Dictionaries&Thesauri-Science? Subjects-Nonfiction-Education-LanguageInstruction-Instruction-Japanese? Subjects-Nonfiction-Education-LanguageInstruction-Instruction-SoutheastAsian? Subjects-Nonfiction-Education-LanguageInstruction-General? Subjects-Reference-Dictionaries&Thesauruses-English(All)? Subjects-Reference-Dictionaries&Thesauruses-ForeignLanguage-Japanese? Subjects-Reference-Dictionaries&Thesauruses-Science? Subjects-Reference-ForeignLanguages-Instruction-Japanese? Subjects-Reference-ForeignLanguages-Instruction-SoutheastAsian? Subjects-Reference-ForeignLanguages-General? Subjects-Reference-General? Subjects-Science-Technology-General&Reference Living Under Contract Contract Farming and Agrarian Transformation in Sub-Saharan Africa Univ of Wisconsin Pr? Peter D. Little? Michael J. Watts? UnivofWisconsinPr? PeterD.Little? MichaelJ.Watts? ジャンル別? Subjects-Business&Investing-Economics-Development&Growth? Subjects-Business&Investing-Economics-EconomicPolicy&Development? Subjects-Business&Investing-Economics-Agricultural? Subjects-Business&Investing-Industries&Professions-General? Subjects-Business&Investing-Management&Leadership-Production&Operations? Subjects-Home&Garden-Gardening&Horticulture-General? Subjects-Nonfiction-Economics-Development&Growth? Subjects-Nonfiction-Economics-EconomicPolicy&Development? Subjects-Nonfiction-Economics-Agricultural? Subjects-Professional&Technical-Accounting&Finance-Economics-Development&Growth? Subjects-Professional&Technical-Accounting&Finance-Economics-EconomicPolicy&Development? Subjects-Professional&Technical-Accounting&Finance-Economics-Agricultural? Subjects-Professional&Technical-ProfessionalScience-AgriculturalSciences-General? Subjects-Professional&Technical-BusinessManagement-Management&Leadership-Production&Operations? Subjects-Science-Technology-General&Reference Subjects-Science-AgriculturalSciences-Economics? Living Under Contract Contract Farming and Agrarian Transformation in Sub-Saharan Africa Univ of Wisconsin Pr? Peter D. Little? Michael J. Watts? UnivofWisconsinPr? PeterD.Little? MichaelJ.Watts? ジャンル別? Subjects-Business&Investing-Economics-Development&Growth? Subjects-Business&Investing-Economics-EconomicPolicy&Development? Subjects-Business&Investing-Industries&Professions-General? Subjects-Home&Garden-Gardening&Horticulture-General? Subjects-Nonfiction-Economics-Development&Growth? Subjects-Nonfiction-Economics-EconomicPolicy&Development? Subjects-Professional&Technical-Accounting&Finance-Economics-Development&Growth? Subjects-Professional&Technical-Accounting&Finance-Economics-EconomicPolicy&Development? Subjects-Professional&Technical-ProfessionalScience-AgriculturalSciences-General? Subjects-Science-Technology-General&Reference Subjects-Science-AgriculturalSciences? States, Firms, and Raw Materials The World Economy and Ecology of Aluminum Univ of Wisconsin Pr? Bradford Barham? Stephen G. Bunker? Denis O Hearn? UnivofWisconsinPr? BradfordBarham? StephenG.Bunker? DenisO Hearn? ジャンル別? Subjects-Business&Investing-Economics-International? Subjects-Business&Investing-Economics-NaturalResources Subjects-Business&Investing-Industries&Professions-General? Subjects-Engineering-Materials-Metallurgy? Subjects-Engineering-MaterialsScience-General? Subjects-Nonfiction-Economics-International? Subjects-Nonfiction-Economics-NaturalResources Subjects-Outdoors&Nature-Ecology-General? Subjects-Professional&Technical-Engineering-MaterialsScience-General? Subjects-Professional&Technical-Engineering-Materials-Metallurgy? Subjects-Professional&Technical-Accounting&Finance-International-Economics? Subjects-Professional&Technical-Accounting&Finance-Economics-NaturalResources Subjects-Science-EarthSciences-Ecology-General? Subjects-Science-General Subjects-Science-Nature&Ecology-General? Subjects-Science-Technology-General&Reference People of the Plow An Agricultural History of Ethiopia, 1800-1990 Univ of Wisconsin Pr? James McCann? UnivofWisconsinPr? JamesMcCann? ジャンル別? Subjects-History-Africa-Ethiopia? Subjects-History-HistoricalStudy-SocialHistory? Subjects-Nonfiction-SocialSciences-Anthropology-Cultural? Subjects-Nonfiction-SocialSciences-Sociology-Culture? Subjects-Professional&Technical-ProfessionalScience-AgriculturalSciences-General? Subjects-Science-History&Philosophy-HistoryofTechnology? Subjects-Science-History&Philosophy-HistoryofAgriculture? Subjects-Science-Technology-General&Reference Controversies In Science And Technology From Maize To Menopause (Science and Technology in Society) Univ of Wisconsin Pr? Daniel Lee Kleinman? Abby J. Kinchy? Jo Handelsman? UnivofWisconsinPr? DanielLeeKleinman? AbbyJ.Kinchy? JoHandelsman? ジャンル別? Subjects-Nonfiction-Philosophy-Science? Subjects-Nonfiction-SocialSciences-Sociology-Culture? Subjects-Science-General Subjects-Science-History&Philosophy-General? Subjects-Science-History&Philosophy-HistoryofTechnology? Subjects-Science-Technology-General&Reference Controversies In Science And Technology From Maize To Menopause (Science and Technology in Society) Univ of Wisconsin Pr? Daniel Lee Kleinman? Abby J. Kinchy? Jo Handelsman? UnivofWisconsinPr? DanielLeeKleinman? AbbyJ.Kinchy? JoHandelsman? ジャンル別? Subjects-Nonfiction-Philosophy-Science? Subjects-Nonfiction-SocialSciences-Sociology-Culture? Subjects-Science-General Subjects-Science-History&Philosophy-General? Subjects-Science-History&Philosophy-HistoryofTechnology? Subjects-Science-Technology-General&Reference Jpl and the American Space Program A History of the Jet Propulsion Laboratory (Yale Planetary Exploration Series) Yale Univ Pr? Clayton R. Koppes? YaleUnivPr? ClaytonR.Koppes? ジャンル別? Subjects-Biographies&Memoirs-General? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-General Subjects-Science-General Subjects-Science-History&Philosophy-HistoryofTechnology? Subjects-Science-Technology-General&Reference Subjects-Science-Astronomy-Aeronautics&Astronautics? Biotechnology The University-Industrial Complex Yale Univ Pr? Martin Kenney? YaleUnivPr? MartinKenney? ジャンル別? Subjects-Business&Investing-Industries&Professions-General? Subjects-Business&Investing-Management&Leadership-Industrial? Subjects-Business&Investing-Management&Leadership-Production&Operations? Subjects-Engineering-Bioengineering-BiomedicalEngineering? Subjects-Engineering-Bioengineering-Biotechnology? Subjects-Engineering-Chemical-General? Subjects-Nonfiction-Education-General? Subjects-Professional&Technical-Engineering-Chemical-General? Subjects-Professional&Technical-Engineering-Bioengineering-BiomedicalEngineering? Subjects-Professional&Technical-Engineering-Bioengineering-Biotechnology? Subjects-Professional&Technical-Education-General? Subjects-Professional&Technical-ProfessionalScience-BiologicalSciences-Biotechnology? Subjects-Professional&Technical-BusinessManagement-Management&Leadership-Industrial? Subjects-Professional&Technical-BusinessManagement-Management&Leadership-Production&Operations? Subjects-Science-Chemistry-ChemicalEngineering? Subjects-Science-General Subjects-Science-Technology-General&Reference Subjects-Science-BiologicalSciences-Biotechnology? Made in America Science, Technology, and American Modernist Poets Yale Univ Pr? Lisa M. Steinman? YaleUnivPr? LisaM.Steinman? ジャンル別? Subjects-Literature&Fiction-History&Criticism-Criticism&Theory-General? Subjects-Literature&Fiction-History&Criticism-Movements&Periods-Modernism? Subjects-Literature&Fiction-History&Criticism-UnitedStates-General? Subjects-Literature&Fiction-History&Criticism-UnitedStates-Poetry? Subjects-Literature&Fiction-Poetry-SingleAuthors? Subjects-Literature&Fiction-Poetry-UnitedStates-20thCentury? Subjects-Science-History&Philosophy-HistoryofTechnology? Subjects-Science-Technology-General&Reference Subjects-ScienceFiction&Fantasy-ScienceFiction-History&Criticism? Autour De Racine Studies in Intertextuality (Yale French Studies) Yale Univ Pr? Richard E. Goodkin? YaleUnivPr? RichardE.Goodkin? ジャンル別? Subjects-Literature&Fiction-Drama-General? Subjects-Literature&Fiction-WorldLiterature-French? Subjects-Reference-General? Subjects-Science-Technology-General&Reference The President's Scientists Reminiscences of a White House Science Advisor (Silliman Milestones in Science) Yale Univ Pr? D. Allan Bromley? YaleUnivPr? D.AllanBromley? ジャンル別? Subjects-Biographies&Memoirs-General? Subjects-Biographies&Memoirs-People,A-Z-(B)-Bush,George? Subjects-Law-AdministrativeLaw-FederalJurisdiction? Subjects-Nonfiction-SocialSciences-PoliticalScience-LevelsofGovernment-FederalGovernment? Subjects-Nonfiction-Law-AdministrativeLaw-FederalJurisdiction? Subjects-Science-General Subjects-Science-Physics-General? Subjects-Science-Technology-General&Reference The Grammar of the Machine Technical Literacy and Early Industrial Expansion in the United States Yale Univ Pr? Edward W., Jr. Stevens? YaleUnivPr? EdwardW.,Jr.Stevens? ジャンル別? Subjects-Nonfiction-SocialSciences-Sociology-Culture? Subjects-Nonfiction-Education-Policy? Subjects-Nonfiction-Education-Technology&DistanceLearning-General? Subjects-Nonfiction-Education-General? Subjects-Professional&Technical-Education-Theory-EducationalReform-Policy&Reform? Subjects-Professional&Technical-Education-General? Subjects-Professional&Technical-Education-Technology&DistanceLearning-General? Subjects-Science-History&Philosophy-HistoryofTechnology? Subjects-Science-Technology-General&Reference The Wired Neighborhood Yale Univ Pr? Stephen Doheny-Farina? YaleUnivPr? StephenDoheny-Farina? ジャンル別? Subjects-Business&Investing-BusinessLife-Communication-General? Subjects-Computers&Internet-Networking? Subjects-Computers&Internet-Business&Culture-Culture? Subjects-Computers&Internet-General? Subjects-Nonfiction-Politics-General? Subjects-Nonfiction-SocialSciences-General? Subjects-Nonfiction-SocialSciences-Sociology-General? Subjects-Nonfiction-SocialSciences-Sociology-SocialTheory? Subjects-Nonfiction-SocialSciences-Sociology-Culture? Subjects-Nonfiction-SocialSciences-Communication-Technology&Society? Subjects-Science-General Subjects-Science-Technology-General&Reference The Wired Neighborhood Yale Univ Pr? Stephen Doheny-Farina? YaleUnivPr? StephenDoheny-Farina? ジャンル別? Subjects-Business&Investing-BusinessLife-Communication-General? Subjects-Computers&Internet-Networking? Subjects-Computers&Internet-Business&Culture-Culture? Subjects-Computers&Internet-General? Subjects-Nonfiction-SocialSciences-General? Subjects-Nonfiction-SocialSciences-Sociology-General? Subjects-Nonfiction-SocialSciences-Communication-Technology&Society? Subjects-Science-Technology-General&Reference General Engineering (English for Academic Purposes) Phoenix ELT? D. Johnson? C.M. Johnson? PhoenixELT? D.Johnson? C.M.Johnson? ジャンル別? Subjects-Nonfiction-Education-LanguageInstruction-Instruction-EnglishasaForeignLanguage-General? Subjects-Reference-ForeignLanguages-Instruction-EnglishasaForeignLanguage-General? Subjects-Science-Technology-General&Reference General Engineering (English for Academic Purposes) Phoenix ELT? D. Johnson? C.M. Johnson? PhoenixELT? D.Johnson? C.M.Johnson? ジャンル別? Subjects-Nonfiction-Education-LanguageInstruction-Instruction-EnglishasaForeignLanguage-General? Subjects-Reference-ForeignLanguages-Instruction-EnglishasaForeignLanguage-General? Subjects-Science-Technology-General&Reference Mechanisms (Sdt Series) Continuum Intl Pub Group (Sd)? Martin Chandler? ContinuumIntlPubGroup(Sd)? MartinChandler? ジャンル別? Substores-UnknownASINs-7? Subjects-Nonfiction-Education-General? Subjects-Science-Technology-General&Reference Cassell Elementary Technical and Scientific Dictionary Cassell? C. Vaughan James? William R. Lee? Cassell? C.VaughanJames? WilliamR.Lee? ジャンル別? Subjects-Nonfiction-Philosophy-Science? Subjects-Nonfiction-Education-Reference-Dictionaries&Thesauri-English(All)? Subjects-Nonfiction-Education-Reference-Dictionaries&Thesauri-English(British)? Subjects-Nonfiction-Education-Reference-Dictionaries&Thesauri-Science? Subjects-Nonfiction-Education-LanguageInstruction-Instruction-EnglishasaForeignLanguage-General? Subjects-Nonfiction-Education-LanguageInstruction-Instruction-EnglishasaForeignLanguage-Dictionaries? Subjects-Reference-Dictionaries&Thesauruses-English(All)? Subjects-Reference-Dictionaries&Thesauruses-English(British)? Subjects-Reference-Dictionaries&Thesauruses-Science? Subjects-Reference-ForeignLanguages-Instruction-EnglishasaForeignLanguage-General? Subjects-Reference-ForeignLanguages-Instruction-EnglishasaForeignLanguage-Dictionaries? Subjects-Reference-General? Subjects-Science-History&Philosophy-General? Subjects-Science-Reference-General? Subjects-Science-Technology-General&Reference An Introduction to Information Technology Thomson Learning? Anna Treby? ThomsonLearning? AnnaTreby? ジャンル別? Subjects-Business&Investing-Industries&Professions-MIS? Subjects-Computers&Internet-ComputerScience? Subjects-Engineering-Telecommunications-General? Subjects-Professional&Technical-Engineering-Telecommunications-General? Subjects-Professional&Technical-BusinessManagement-Management&Leadership-InformationManagement? Subjects-Science-General Subjects-Science-Technology-General&Reference Boats (Rainbow) Jonathan Cape? Caroline Porter? JonathanCape? CarolinePorter? ジャンル別? Substores-UnknownASINs-61? Subjects-History-Military-General? Subjects-Science-Technology-General&Reference Heat Transfer at Low Temperatures Plenum Pub Corp? Walter Frost? PlenumPubCorp? WalterFrost? ジャンル別? Subjects-Engineering-Aerospace-AdvancedMechanics? Subjects-Engineering-Civil-Mechanics? Subjects-Engineering-MaterialsScience-General? Subjects-Engineering-Mechanical-General? Subjects-Professional&Technical-Engineering-Civil-Mechanics? Subjects-Professional&Technical-Engineering-MaterialsScience-General? Subjects-Professional&Technical-Engineering-Aerospace-AdvancedMechanics? Subjects-Professional&Technical-Engineering-Mechanical-General? Subjects-Science-General Subjects-Science-Physics-Applied? Subjects-Science-Technology-General&Reference The Creative Engineer The Art of Inventing Plenum Pub Corp? Winston E. Kock? PlenumPubCorp? WinstonE.Kock? ジャンル別? Subjects-Science-General Subjects-Science-History&Philosophy-HistoryofTechnology? Subjects-Science-Technology-General&Reference Societal Risk Assessment How Safe Is Safe Enough? Plenum Pub Corp? Schwing? PlenumPubCorp? Schwing? ジャンル別? Subjects-Business&Investing-Management&Leadership-RiskAssessment? Subjects-Health,Mind&Body-Safety&FirstAid? Subjects-Nonfiction-SocialSciences-PoliticalScience-PublicPolicy? Subjects-Outdoors&Nature-Environment-EnvironmentalScience Subjects-Professional&Technical-ProfessionalScience-EarthSciences-EnvironmentalScience? Subjects-Professional&Technical-BusinessManagement-Management&Leadership-RiskAssessment? Subjects-Science-EarthSciences-EnvironmentalScience Subjects-Science-General Subjects-Science-Technology-General&Reference Search Theory and Applications (Nato Conference Series II, Systems Science, V. 8) Plenum Pub Corp? Portugal) NATO Advanced Research Institute on Search Theory and Applications (1979 Praia da Rocha? K. Brian Haley? Lawrence D. Stone? PlenumPubCorp? Portugal)NATOAdvancedResearchInstituteonSearchTheoryandApplications(1979 PraiadaRocha? K.BrianHaley? LawrenceD.Stone? ジャンル別? Substores-UnknownASINs-7? Subjects-Business&Investing-Management&Leadership-OperationsResearch? Subjects-Professional&Technical-BusinessManagement-Management&Leadership-OperationsResearch? Subjects-Reference-General? Subjects-Science-Education-Research? Subjects-Science-Experiments,Instruments&Measurement-Methodology&Statistics? Subjects-Science-Technology-General&Reference Masters Theses in the Pure and Applied Sciences Accepted by Colleges and Universities of the United States and Canada (Masters Theses in the Pure and Applied Sciences Accepted By Colleges and Universities of the United States and Canada) Plenum Pub Corp? Wade H. Shafer? PlenumPubCorp? WadeH.Shafer? ジャンル別? Substores-UnknownASINs-7? Subjects-Reference-Publishing&Books-Bibliographies&Indexes-Science? Subjects-Science-Technology-General&Reference Masters Theses in the Pure and Applied Sciences Accepted by Colleges and Universities of U.S. and Canada (Masters Theses in the Pure and Applied Sciences Accepted By Colleges and Universities of the United States and Canada) Plenum Pub Corp? Wade H. Shafer? PlenumPubCorp? WadeH.Shafer? ジャンル別? Substores-UnknownASINs-7? Subjects-Science-General Subjects-Science-Technology-General&Reference Analysis of Actual Versus Perceived Risks (Advances in Risk Analysis, V. 1) Plenum Pub Corp? Society for Risk Analysis International Workshop on the Analysis of ac? Vincent T. Covello? PlenumPubCorp? SocietyforRiskAnalysisInternationalWorkshopontheAnalysisofac? VincentT.Covello? ジャンル別? Subjects-Business&Investing-Management&Leadership-RiskAssessment? Subjects-Health,Mind&Body-Safety&FirstAid? Subjects-Nonfiction-CurrentEvents-Poverty-SocialServices&Welfare? Subjects-Outdoors&Nature-Environment-EnvironmentalScience Subjects-Professional&Technical-ProfessionalScience-Mathematics-Applied-Statistics? Subjects-Professional&Technical-ProfessionalScience-EarthSciences-EnvironmentalScience? Subjects-Professional&Technical-BusinessManagement-Management&Leadership-RiskAssessment? Subjects-Science-EarthSciences-EnvironmentalScience Subjects-Science-General Subjects-Science-Mathematics-Applied-Probability&Statistics? Subjects-Science-Technology-General&Reference Masters Theses in the Pure and Applied Sciences (Masters Theses in the Pure and Applied Sciences Accepted By Colleges and Universities of the United States and Canada) Plenum Pub Corp? Wade H. Shafer? PlenumPubCorp? WadeH.Shafer? ジャンル別? Substores-UnknownASINs-7? Subjects-Reference-Publishing&Books-Bibliographies&Indexes-Science? Subjects-Science-Technology-General&Reference Low-Probability/High-Consequence Risk Analysis Issues, Methods, and Case Studies (Advances in Risk Analysis, Vol 2) Plenum Pub Corp? Ray A. Waller? PlenumPubCorp? RayA.Waller? ジャンル別? Subjects-Nonfiction-CurrentEvents-Poverty-SocialServices&Welfare? Subjects-Science-General Subjects-Science-Technology-General&Reference Subjects-Science-Technology-Risks? Appropriate Waste Management for Developing Countries Plenum Pub Corp? Kriton Curi? PlenumPubCorp? KritonCuri? ジャンル別? Subjects-Engineering-Civil-Environmental-General Subjects-Engineering-Civil-Environmental-SolidWasteManagement? Subjects-Nonfiction-CurrentEvents-Poverty-SocialServices&Welfare? Subjects-Outdoors&Nature-Environment-Recycling? Subjects-Professional&Technical-Engineering-Civil-Environmental-General Subjects-Professional&Technical-Engineering-Civil-Environmental-SolidWasteManagement? Subjects-Professional&Technical-Medical-BasicSciences-Biology? Subjects-Science-General Subjects-Science-Nature&Ecology-Environment-Recycling? Subjects-Science-Technology-General&Reference Subjects-Science-BiologicalSciences-Biology-General? Masters Theses in the Pure and Applied Sciences Accepted by Colleges Universities of the U.S. Canada (Masters Theses in the Pure and Applied Sciences Accepted By Colleges and Universities of the United States and Canada) Plenum Pub Corp? Wade H. Shafer? PlenumPubCorp? WadeH.Shafer? ジャンル別? Substores-UnknownASINs-7? Subjects-Reference-Publishing&Books-Bibliographies&Indexes-Science? Subjects-Reference-Publishing&Books-Bibliographies&Indexes-General? Subjects-Science-Technology-General&Reference Risk Evaluation and Management (Contemporary Issues in Risk Analysis, Vol 1) Plenum Pub Corp? Joshua Menkes? Jeryl Mumpower? Vincent T. Covello? PlenumPubCorp? JoshuaMenkes? JerylMumpower? VincentT.Covello? ジャンル別? Subjects-Business&Investing-Management&Leadership-RiskAssessment? Subjects-Health,Mind&Body-Safety&FirstAid? Subjects-Nonfiction-CurrentEvents-Poverty-SocialServices&Welfare? Subjects-Outdoors&Nature-Environment-EnvironmentalScience Subjects-Professional&Technical-ProfessionalScience-Mathematics-Applied-Statistics? Subjects-Professional&Technical-ProfessionalScience-EarthSciences-EnvironmentalScience? Subjects-Professional&Technical-BusinessManagement-Management&Leadership-RiskAssessment? Subjects-Science-EarthSciences-EnvironmentalScience Subjects-Science-Mathematics-Applied-Probability&Statistics? Subjects-Science-Technology-General&Reference Subjects-Science-Technology-Risks? Masters Theses in the Pure and Applied Sciences Accepted by Colleges and Universities of the United States and Canada (Masters Theses in the Pure and Applied Sciences Accepted By Colleges and Universities of the United States and Canada) Plenum Pub Corp? Wade H. Shafer? PlenumPubCorp? WadeH.Shafer? ジャンル別? Substores-UnknownASINs-7? Subjects-Reference-Publishing&Books-Bibliographies&Indexes-Science? Subjects-Science-Technology-General&Reference Masters Theses in the Pure and Applied Sciences Accepted by Colleges and Universities of the United States and Canada (Masters Theses in the Pure and Applied Sciences Accepted By Colleges and Universities of the United States and Canada) Plenum Pub Corp? Wade H. Shafer? PlenumPubCorp? WadeH.Shafer? ジャンル別? Substores-UnknownASINs-7? Subjects-Outdoors&Nature-Environment-EnvironmentalScience Subjects-Professional&Technical-Medical-BasicSciences-Biology? Subjects-Professional&Technical-Medical-BasicSciences-Chemistry? Subjects-Professional&Technical-ProfessionalScience-Physics-General? Subjects-Professional&Technical-ProfessionalScience-EarthSciences-EnvironmentalScience? Subjects-Reference-Publishing&Books-Bibliographies&Indexes-Art&Photography? Subjects-Reference-Publishing&Books-Bibliographies&Indexes-Science? Subjects-Science-Chemistry-General&Reference? Subjects-Science-EarthSciences-EnvironmentalScience Subjects-Science-General Subjects-Science-Physics-General? Subjects-Science-Technology-General&Reference Subjects-Science-BiologicalSciences-Biology-General? Masters Theses in the Pure and Applied Sciences Accepted by Colleges and Universities of the United States and Canada (Masters Theses in the Pure and Applied Sciences Accepted By Colleges and Universities of the United States and Canada) Plenum Pub Corp? Wade H. Shafer? PlenumPubCorp? WadeH.Shafer? ジャンル別? Substores-UnknownASINs-7? Subjects-Outdoors&Nature-Environment-EnvironmentalScience Subjects-Professional&Technical-Medical-BasicSciences-Biology? Subjects-Professional&Technical-Medical-BasicSciences-Chemistry? Subjects-Professional&Technical-ProfessionalScience-Physics-General? Subjects-Professional&Technical-ProfessionalScience-EarthSciences-EnvironmentalScience? Subjects-Reference-Publishing&Books-Bibliographies&Indexes-Art&Photography? Subjects-Reference-Publishing&Books-Bibliographies&Indexes-Science? Subjects-Science-Chemistry-General&Reference? Subjects-Science-EarthSciences-EnvironmentalScience Subjects-Science-General Subjects-Science-Physics-General? Subjects-Science-Technology-General&Reference Subjects-Science-BiologicalSciences-Biology-General? Masters Theses in the Pure and Applied Sciences (Masters Theses in the Pure and Applied Sciences Accepted By Colleges and Universities of the United States and Canada) Plenum Pub Corp? Wade H. Shafer? PlenumPubCorp? WadeH.Shafer? ジャンル別? Substores-UnknownASINs-7? Subjects-Professional&Technical-Medical-BasicSciences-Biology? Subjects-Professional&Technical-Medical-BasicSciences-Chemistry? Subjects-Reference-Publishing&Books-Bibliographies&Indexes-Science? Subjects-Reference-Publishing&Books-Bibliographies&Indexes-General? Subjects-Science-Chemistry-General&Reference? Subjects-Science-General Subjects-Science-Technology-General&Reference Subjects-Science-BiologicalSciences-Biology-General? Masters Theses in the Pure and Applied Sciences (Masters Theses in the Pure and Applied Sciences Accepted By Colleges and Universities of the United States and Canada) Plenum Pub Corp? Wade H. Shafer? PlenumPubCorp? WadeH.Shafer? ジャンル別? Substores-UnknownASINs-7? Subjects-Outdoors&Nature-Environment-EnvironmentalScience Subjects-Professional&Technical-Medical-BasicSciences-Biology? Subjects-Professional&Technical-Medical-BasicSciences-Chemistry? Subjects-Professional&Technical-ProfessionalScience-Physics-General? Subjects-Professional&Technical-ProfessionalScience-EarthSciences-EnvironmentalScience? Subjects-Reference-Publishing&Books-Bibliographies&Indexes-Art&Photography? Subjects-Reference-Publishing&Books-Bibliographies&Indexes-Science? Subjects-Reference-Publishing&Books-Bibliographies&Indexes-General? Subjects-Science-Chemistry-General&Reference? Subjects-Science-EarthSciences-EnvironmentalScience Subjects-Science-General Subjects-Science-Physics-General? Subjects-Science-Technology-General&Reference Subjects-Science-BiologicalSciences-Biology-General? The Analysis, Communication, and Perception of Risk (Advances in Risk Analysis) Plenum Pub Corp? B. John Garrick? Willard C. Gekler? PlenumPubCorp? B.JohnGarrick? WillardC.Gekler? ジャンル別? Substores-UnknownASINs-7? Subjects-Health,Mind&Body-Safety&FirstAid? Subjects-Medicine-Administration&Policy-General? Subjects-Medicine-Pharmacology-General? Subjects-Nonfiction-CurrentEvents-Poverty-SocialServices&Welfare? Subjects-Professional&Technical-Medical-BasicSciences-Pharmacology? Subjects-Professional&Technical-Medical-Administration&MedicineEconomics-General? Subjects-Science-Technology-General&Reference Subjects-Science-Medicine-Administration&Policy-General? Subjects-Science-Medicine-Pharmacology-General? Micelles Theoretical and Applied Aspects (The Language of Science) Plenum Pub Corp? Yoshikiyo Moroi? PlenumPubCorp? YoshikiyoMoroi? ジャンル別? Substores-UnknownASINs-7? Subjects-Engineering-Chemical-PolymerChemistry? Subjects-Professional&Technical-Engineering-Chemical-PolymerChemistry? Subjects-Professional&Technical-Medical-BasicSciences-Chemistry? Subjects-Professional&Technical-ProfessionalScience-Chemistry-Inorganic? Subjects-Professional&Technical-ProfessionalScience-Chemistry-Organic? Subjects-Science-Chemistry-Inorganic? Subjects-Science-Chemistry-Organic-General? Subjects-Science-Chemistry-Physical&Theoretical-PhysicalChemistry? Subjects-Science-Chemistry-Solutions&Colloids? Subjects-Science-General Subjects-Science-Technology-General&Reference Masters Theses in the Pure and Applied Sciences Accepted by Colleges and Universities of the United States and Canada (Masters Theses in the Pure and Applied Sciences Accepted By Colleges and Universities of the United States and Canada) Plenum Pub Corp? Wade H. Shafer? PlenumPubCorp? WadeH.Shafer? ジャンル別? Substores-UnknownASINs-7? Subjects-Professional&Technical-Medical-BasicSciences-Biology? Subjects-Professional&Technical-Medical-BasicSciences-Chemistry? Subjects-Professional&Technical-ProfessionalScience-Physics-General? Subjects-Reference-Publishing&Books-Bibliographies&Indexes-Art&Photography? Subjects-Reference-Publishing&Books-Bibliographies&Indexes-Science? Subjects-Reference-Publishing&Books-Bibliographies&Indexes-General? Subjects-Science-Chemistry-General&Reference? Subjects-Science-General Subjects-Science-Physics-General? Subjects-Science-Technology-General&Reference Subjects-Science-BiologicalSciences-Biology-General? Masters Theses in the Pure and Applied Sciences Accepted by Colleges and Universities of the United States and Canada (Masters Theses in the Pure and Applied Sciences Accepted By Colleges and Universities of the United States and Canada) Plenum Pub Corp? Wade H. Shafer? PlenumPubCorp? WadeH.Shafer? ジャンル別? Substores-UnknownASINs-7? Subjects-Professional&Technical-Medical-BasicSciences-Biology? Subjects-Professional&Technical-Medical-BasicSciences-Chemistry? Subjects-Professional&Technical-ProfessionalScience-Physics-General? Subjects-Reference-Publishing&Books-Bibliographies&Indexes-Science? Subjects-Reference-Publishing&Books-Bibliographies&Indexes-General? Subjects-Science-Chemistry-General&Reference? Subjects-Science-General Subjects-Science-Physics-General? Subjects-Science-Technology-General&Reference Subjects-Science-BiologicalSciences-Biology-General? Masters Theses in the Pure and Applied Sciences Accepted by Colleges and Universities of the United States and Canada (Masters Theses in the Pure and Applied Sciences Accepted By Colleges and Universities of the United States and Canada) Plenum Pub Corp? Wade H. Shafer? PlenumPubCorp? WadeH.Shafer? ジャンル別? Substores-UnknownASINs-7? Subjects-Professional&Technical-Medical-BasicSciences-Biology? Subjects-Professional&Technical-Medical-BasicSciences-Chemistry? Subjects-Professional&Technical-ProfessionalScience-Physics-General? Subjects-Reference-Publishing&Books-Bibliographies&Indexes-Art&Photography? Subjects-Reference-Publishing&Books-Bibliographies&Indexes-Science? 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UP CHAPTER II CHAPTER I Mrs. Rachel Lynde is Surprised 第1章 レイチェル・リンド夫人の驚き（松本訳） Mrs. Rachel Lynde lived just where the Avonlea main road dipped down into a little hollow, fringed with alders and ladies eardrops 「Rachel Lynde」松本訳注第1章(1) p. 449参照 「Avonlea」松本訳注第1章(2) p. 450参照 「alder」ハンノキ Alnus 写真はウィキペディアをどうぞ 「ladies eardrops」フクシア Fuchsia 写真はウィキペディアをどうぞ 「ladies eardrops」は、モードの手書き原稿では、「jewelweed」となっているそうです。薄荷さんの「完訳・赤毛のアン」フクシアの謎にありました。この完訳は松本訳のこと。プリンスエドワード島では野生のフクシアはない（野外では育たない）のではないか、ということのようです。jewelweed Impatiens capensis は東北大学のPlant Evolutionary Biology（植物進化生物学と訳せましょう）の研究室のウェブページにあるそうです（ちゃんとありました）。東北大学の英語版公式ページでPlant Evolutionary Biologyを標榜するのは牧研究室のようです and traversed by a brook that had its source away back in the woods of the old Cuthbert place; it was reputed to be an intricate, headlong brook in its earlier course through those woods, with dark secrets of pool and cascade; but by the time it reached Lynde s Hollow it was a quiet, well-conducted little stream, for not even a brook could run past Mrs. Rachel Lynde s door without due regard for decency and decorum; 「decency and decorum」どちらも、礼儀正しい、上品の意味。似た意味の言葉、しかも発音が似ている言葉を繰り返して、強調している。しつこくならないように和訳するのは難しいかも it probably was conscious that Mrs. Rachel was sitting at her window, keeping a sharp eye on everything that passed, from brooks and children up, and that if she noticed anything odd or out of place she would never rest until she had ferreted out the whys and wherefores thereof. 「ferret」捜し（探り）出す／（白イタチを使って）狩りをする。名詞の ferret は白イタチ。白イタチ（ferret）から連想する何かがあるのでしょうか。それともこういうときは、これが普通なのかしら 「the whys and wherefores」いろいろな理由／原因。これも似た意味の言葉、しかも発音が似ている言葉を繰り返し。ですが、常套句のようです There are plenty of people in Avonlea and out of it, who can attend closely to their neighbor s business by dint of neglecting their own; but Mrs. Rachel Lynde was one of those capable creatures who can manage their own concerns and those of other folks into the bargain. She was a notable housewife; her work was always done and well done; she "ran" the Sewing Circle, helped run the Sunday-school, and was the strongest prop of the Church Aid Society and Foreign Missions Auxiliary. Yet with all this Mrs. Rachel found abundant time to sit for hours at her kitchen window, 「Mrs. Rachel」First name だけに Mrs を付けるのは、学校では習わなかった気がしますが、『アン』にはたくさんでてきます knitting "cotton warp" quilts-- 「knitting "cotton warp" quilts」松本訳注第1章(3) p. 450参照 she had knitted sixteen of them, as Avonlea housekeepers were wont to tell in awed voices--and keeping a sharp eye on the main road that crossed the hollow and wound up the steep red hill beyond. Since Avonlea occupied a little triangular peninsula jutting out into the Gulf of St. Lawrence with water on two sides of it, 「the Gulf of St. Lawrence」松本訳注第1章(4) p. 450参照 anybody who went out of it or into it had to pass over that hill road and so run the unseen gauntlet of Mrs. Rachel s all-seeing eye. She was sitting there one afternoon in early June. The sun was coming in at the window warm and bright; the orchard on the slope below the house was in a bridal flush of pinky- white bloom, hummed over by a myriad of bees. Thomas Lynde-- a meek little man whom Avonlea people called "Rachel Lynde s husband"--was sowing his late turnip seed on the hill field beyond the barn; 「turnip」カブ Brassica rapa 写真はウィキペディア（英語版）にあります。たぶん今日本で栽培しているものよりも小さい and Matthew Cuthbert ought to have been sowing his on the big red brook field away over by Green Gables. 「Matthew Cuthbert」松本訳注第1章(5) p. 451参照 「Green Gables」松本訳注第1章(6) p. 451参照 Mrs. Rachel knew that he ought 「he ought」to have been sowing ... が省略されている because she had heard him tell Peter Morrison the evening before in William J. Blair s store over at Carmody that he meant to sow his turnip seed the next afternoon. Peter had asked him, of course, for Matthew Cuthbert had never been known to volunteer information about anything in his whole life. And yet here was Matthew Cuthbert, at half-past three on the afternoon of a busy day, placidly driving over the hollow and up the hill; moreover, he wore a white collar and his best suit of clothes, 「a white collar and his best suit of clothes」まさに一張羅。カラーを付けるというよりは、カラーのある服を着ているということではないかと思いますが……、どうなんでしょう、このころの男性ファッションは。カラーがセパレートなのはよっぽど大きなカラーということになろうかと思いますが。とすると、「白襟のシャツと最上の上着を着こみ」といったところでしょうか which was plain proof that he was going out of Avonlea; and he had the buggy 「buggy」二人乗りの馬車 and the sorrel mare, which betokened that he was going a considerable distance. Now, where was Matthew Cuthbert going and why was he going there? Had it been any other man in Avonlea, 「Had it been ...」仮定法 Mrs. Rachel, deftly putting this and that together, might have given a pretty good guess as to both questions. But Matthew so rarely went from home that it must be something pressing and unusual which was taking him; he was the shyest man alive and hated to have to go among strangers or to any place where he might have to talk. Matthew, dressed up with a white collar and driving in a buggy, was something that didn t happen often. Mrs. Rachel, ponder as she might, could make nothing of it and her afternoon s enjoyment was spoiled. "I ll just step over to Green Gables after tea 「after tea」ということは夕方。 and find out from Marilla where he s gone and why," 「Marilla」松本訳注第1章(7) p. 451参照 the worthy woman finally concluded. "He doesn t generally go to town this time of year and he NEVER visits; if he d run out of turnip seed he wouldn t dress up and take the buggy to go for more; he wasn t driving fast enough to be going for a doctor. Yet something must have happened since last night to start him off. I m clean puzzled, that s what, and I won t know a minute s peace of mind or conscience until I know what has taken Matthew Cuthbert out of Avonlea today." Accordingly after tea Mrs. Rachel set out; she had not far to go; the big, rambling, orchard-embowered house where the Cuthberts lived was a scant quarter of a mile up the road from Lynde s Hollow. To be sure, the long lane made it a good deal further. Matthew Cuthbert s father, as shy and silent as his son after him, had got as far away as he possibly could from his fellow men without actually retreating into the woods when he founded his homestead. 「when he founded his homestead」マシューのお父さんが開墾したようですね Green Gables was built at the furthest edge of his cleared land and there it was to this day, barely visible from the main road along which all the other Avonlea houses were so sociably situated. Mrs. Rachel Lynde did not call living in such a place LIVING at all. "It s just STAYING, that s what," she said as she stepped along the deep-rutted, grassy lane bordered with wild rose bushes. 「deep-rutted、grassy lane」深い轍のある、ということは、草の生えた小径とはいえ、普段馬車か荷車が通れるだけの幅がある。同じ lane でも Lover s Lane（恋人たちの小径（CHAPTER XV with impression? A Tempest in the School Teapot））は、普段は牛の歩くところなので、深い轍はなく狭い 「rose」Rosa sp. バラはややこしくてよくわかりません。ただ、俗称として wild rose というなら、花弁が八重ではないものでしょう。なので、例えば、こんな感じ "It s no wonder Matthew and Marilla are both a little odd, living away back here by themselves. Trees aren t much company, though dear knows if they were there d be enough of them. 「dear knows」= God knows 誰も知らない I d ruther look at people. To be sure, they seem contented enough; but then, I suppose, they re used to it. A body can get used to anything, even to being hanged, as the Irishman said." 「as the Irishman said」松本訳注第1章(8) p. 451参照 With this Mrs. Rachel stepped out of the lane into the backyard of Green Gables. Very green and neat and precise was that yard, set about on one side with great patriarchal willows 「willows」ヤナギ。Salix sp. ヤナギ属には大きなものから草丈ほどの小さなもの（極寒の種類らしい）もあるそうです。しかしここでは、家の主のような大きな木。写真はウィキペディア（英）、やウィキペディア（日）をどうぞ and the other with prim Lombardies. 「Lombardies」= Lombardy poplars セイヨウハコヤナギ。いわゆるポプラ。Populus nigra var. italica。 北海道大学のポプラ並木と同じ種類のようです。写真はウィキペディアにあります。ポプラもヤナギ科だとは知りませんでした。このイタリア原産の背の高いポプラのことをわざわざ Lombardies（複数なのは１本じゃないだけ）とするのは、ちょっと気取っているような気がしますが、気のせい？ Not a stray stick nor stone was to be seen, for Mrs. Rachel would have seen it if there had been. Privately she was of the opinion that Marilla Cuthbert swept that yard over as often as she swept her house. One could have eaten a meal off the ground without overbrimming the proverbial peck of dirt. 「the proverbial peck of dirt」松本訳注第1章(9) p. 452参照 Mrs. Rachel rapped smartly at the kitchen door and stepped in when bidden to do so. The kitchen at Green Gables was a cheerful apartment-- 「apartment」部屋 or would have been cheerful 「would have been cheerfu」仮定法 if it had not been so painfully clean as to give it something of the appearance of an unused parlor. Its windows looked east and west; through the west one, looking out on the back yard, came a flood of mellow June sunlight; but the east one, whence you got a glimpse of the bloom white cherry-trees in the left orchard 「white cherry-trees in the left orchard 」果樹園にある桜の木ということはサクランボの木。ですので、sour cherry Prunus cerasus ではないでしょうか。実の写真はウィキペディア（英）にあります。サクラ全般についてはウィキペディア（英）もどうぞ and nodding, slender birches down in the hollow by the brook, 「birch」カバ。ここでは幹の白いカバかと思います。このあと、何度も white birch が出てくるので。とすると、幹の白いカバは、Betula papyrifera。写真はウィキペディア（英）にあります。この白いカバの分布はeFloras.org（英）をどうぞ。日本のシラカバ（Betula platyphylla var. japonica）とは別種らしい（ウィキペディア（日）にはそうある。こちらにも写真はありますが、見た目はよくわかりません） was greened over by a tangle of vines. 「vine」つた、か何か、のツル植物。この記述だけではよくわかりません（やはりキャベンディッシュに行かないとわからないことがある……） Here sat Marilla Cuthbert, when she sat at all, always slightly distrustful of sunshine, which seemed to her too dancing and irresponsible a thing for a world which was meant to be taken seriously; and here she sat now, knitting, and the table behind her was laid for supper. 「supper」夕食。『赤毛のアン』では食事を表わす表現がいくつも出てきて、難しい。dinner、tea、supper、lunch。同じことをふたつで指すこともあって。朝食は breakfast だけですが Mrs. Rachel, before she had fairly closed the door, had taken a mental note of everything that was on that table. There were three plates laid, so that Marilla must be expecting some one home with Matthew to tea; 「tea」これは上で出てきた、supper を指す but the dishes were everyday dishes and there was only crab-apple preserves and one kind of cake, 「only crab-apple preserves」松本訳注第1章(10) p. 452参照 「crab-apple」野生のりんご。Malus sp. crabappleと呼ぶのはいろいろな種があるようですが、いずれも実の小さい野生りんご。写真はウィキペディア（英）にあります（わかりづらいかもしれません） so that the expected company could not be any particular company. Yet what of Matthew s white collar and the sorrel mare? Mrs. Rachel was getting fairly dizzy with this unusual mystery about quiet, unmysterious Green Gables. "Good evening, Rachel," Marilla said briskly. 「briskly」マリラがきびきびと答えを返しているので、このあとリンド夫人が体を心配しているというのが、ずれている感じを強調する "This is a real fine evening, isn t it? Won t you sit down? How are all your folks?" Something that for lack of any other name might be called friendship existed and always had existed between Marilla Cuthbert and Mrs. Rachel, in spite of--or perhaps because of--their dissimilarity. Marilla was a tall, thin woman, with angles and without curves; her dark hair showed some gray streaks and was always twisted up in a hard little knot behind with two wire hairpins stuck aggressively through it. She looked like a woman of narrow experience and rigid conscience, which she was; but there was a saving something about her mouth which, if it had been ever so slightly developed, might have been considered indicative of a sense of humor. このマリラの描写は、CHAPTER XXXIII with impression The Hotel Concert で比較される "We re all pretty well," said Mrs. Rachel. "I was kind of afraid YOU weren t, though, when I saw Matthew starting off today. I thought maybe he was going to the doctor s." Marilla s lips twitched understandingly. She had expected Mrs. Rachel up; she had known that the sight of Matthew jaunting off so unaccountably would be too much for her neighbor s curiosity. "Oh, no, I m quite well although I had a bad headache yesterday," she said. "Matthew went to Bright River. 「only crab-apple preserves」松本訳注第1章(11) p. 452参照 We re getting a little boy from an orphan asylum in Nova Scotia 「Nova Scotia」ノヴァスコシア（松本訳）。アルファベット表記を見ると、New Scotland のこととわかる（たぶんラテン語化している） and he s coming on the train tonight." If Marilla had said that Matthew had gone to Bright River to meet a kangaroo from Australia 「a kangaroo from Australia」オーストラリアからやって来たカンガルー。大英帝国の一員のオーストラリアには親しみがあるのでしょうね Mrs. Rachel could not have been more astonished. She was actually stricken dumb for five seconds. 「actually stricken dumb for five seconds」ここで、actually striken としているのは、口も聞けないほど唖然としてという例えとして dumb を使うことがあるのですが、ここでは、本当に５秒間も口を聞かなかった、と強調している。しかし……、この表現は面白いのでしょうか？？？ It was unsupposable that Marilla was making fun of her, but Mrs. Rachel was almost forced to suppose it. "Are you in earnest, Marilla?" she demanded when voice returned to her. 「voice returned to her」本当に口が聞けなくなったので、声が出せるようになって、という話の流れ "Yes, of course," said Marilla, as if getting boys from orphan asylums in Nova Scotia were part of the usual spring work on any well-regulated Avonlea farm instead of being an unheard of innovation. Mrs. Rachel felt that she had received a severe mental jolt. She thought in exclamation points. A boy! Marilla and Matthew Cuthbert of all people adopting a boy! From an orphan asylum! Well, the world was certainly turning upside down! She would be surprised at nothing after this! Nothing! "What on earth put such a notion into your head?" she demanded disapprovingly. This had been done without her advice being asked, and must perforce be disapproved. "Well, we ve been thinking about it for some time-- 「it」孤児をもらうこと。どれを指すのかは……よくわかりませんが「We are getting ... tonight」でしょうか all winter in fact," returned Marilla. "Mrs. Alexander Spencer was up here one day before Christmas 「Mrs. Alexander Spencer」夫人の名前（first name）を出さない表現。アレクザンダー・スペンサーの夫人。Mrs. Rachel とはいちばん離れた表現。あまり親しくないか、リンド夫人はよく知らないだろうことを考えてか and she said she was going to get a little girl from the asylum over in Hopeton in the spring. Her cousin lives there and Mrs. Spencer has visited here and knows all about it. 「Mrs. Spencer has visited here」スペンサー夫人がやってきて。ここは、Puffin Books版では「Mrs. Spencer has visited her」スペンサー夫人がその従姉妹のところを訪れて。となっていて全然意味が違っている。文脈からすれば、これは、her（従姉妹）を訪れることにならないと通じない。「従姉妹は lives で住んでいる（事実）、スペンサー夫人は has visited で訪れたことがある（経験）、だから、スペンサー夫人は知っている（knows：結果としての事実）となるのでしょうから So Matthew and I have talked it over off and on ever since. 「it」これも前と同じ、孤児をもらうこと We thought we d get a boy. Matthew is getting up in years, you know--he s sixty-- and he isn t so spry as he once was. His heart troubles him a good deal. And you know how desperate hard it s got to be to get hired help. 「how desperate hard」hard は desperate を修飾する副詞 There s never anybody to be had but those stupid, half-grown little French boys; 「half-grown little French boys」松本訳注第1章(12) p. 452参照 and as soon as you do get one broke into your ways 「broke into」break into ～の状態になる and taught something he s up and off to the lobster canneries or the States. 「the lobster canneries」松本訳注第1章(13) p. 453参照 At first Matthew suggested getting a Home boy. But I said `no flat to that. `They may be all right--I m not saying they re not--but no London street Arabs for me, I said. 「street Arabs」浮浪児。Puffin Books版では、street arabs と a が小文字。たぶん、今なら、arab の単語は使わないでしょうね。PC の時代ですから（politically correct） `Give me a native born at least. There ll be a risk, no matter who we get. But I ll feel easier in my mind and sleep sounder at nights if we get a born Canadian. So in the end we decided to ask Mrs. Spencer to pick us out one when she went over to get her little girl. We heard last week she was going, so we sent her word by Richard Spencer s folks at Carmody to bring us a smart, likely boy of about ten or eleven. We decided that would be the best age--old enough to be of some use in doing chores right off 「chore」（家・農場の）雑用 and young enough to be trained up proper. We mean to give him a good home and schooling. 「a good home and schooling」これは、アンが来てからしばらくの間、マシューとマリラの間で話し合われたこともない（物語の上では記述がない）ので、アンが女の子であるからといって、ふたりの気持ちは大きな変化はなかったに違いありません。明確に話が出るのは、クイーン学院に行かせようかどうかというところくらいでしょうか（CHAPTER XXV with impression]] Matthew Insists on Puffed Sleeves） We had a telegram from Mrs. Alexander Spencer today--the mail-man brought it from the station-- 「We had a telegram from Mrs. Alexander Spencer today--the mail-man brought it from the station--」電報の場合は駅から直接配ってくれたようですね。カナダの電信の歴史はよくわかりませんが、鉄道を敷くと、線路に沿って電信線を伸ばしたのかもしれませんが……。そこまで電化が進んでいないでしょうねぇ。とすると、これはそうじゃなくて、シャーロットタウンに電信を受けるところがあって（郵便局かもしれません）、そこから郵便とともに電報も列車で運ばれ、郵便局の人は電報を配ってくれたのでしょうか saying they were coming on the five-thirty train tonight. So Matthew went to Bright River to meet him. Mrs. Spencer will drop him off there. Of course she goes on to White Sands station herself." 「White Sands」松本訳注第1章(14) p. 453参照 Mrs. Rachel prided herself on always speaking her mind; she proceeded to speak it now, having adjusted her mental attitude to this amazing piece of news. "Well, Marilla, I ll just tell you plain that I think you re doing a mighty foolish thing--a risky thing, that s what. You don t know what you re getting. You re bringing a strange child into your house and home 「your house and home」建物／敷地としての house と 家族の中に入り込む家庭としての home の概念を区別。日本語では上手く書き分けるのは難しいところ and you don t know a single thing about him nor what his disposition is like nor what sort of parents he had nor how he s likely to turn out. Why, it was only last week I read in the paper how a man and his wife up west of the Island took a boy out of an orphan asylum and he set fire to the house at night--set it ON PURPOSE, Marilla--and nearly burnt them to a crisp in their beds. And I know another case where an adopted boy used to suck the eggs--they couldn t break him of it. If you had asked my advice in the matter--which you didn t do, Marilla--I d have said for mercy s sake not to think of such a thing, that s what." This Job s comforting seemed neither to offend nor to alarm Marilla. 「Job s comforting」松本訳注第1章(15) p. 453参照 She knitted steadily on. 「She knitted steadily on.」気持ちをその人の行動で表現する。驚くなり動揺したなら編み物を止めるはず、という前提がある（しつこい？ だったらごめんななさい） "I don t deny there s something in what you say, Rachel. I ve had some qualms myself. But Matthew was terrible set on it. I could see that, so I gave in. It s so seldom Matthew sets his mind on anything that when he does I always feel it s my duty to give in. And as for the risk, there s risks in pretty near everything a body does in this world. There s risks in people s having children of their own if it comes to that--they don t always turn out well. And then Nova Scotia is right close to the Island. It isn t as if we were getting him from England or the States. He can t be much different from ourselves." "Well, I hope it will turn out all right," said Mrs. Rachel in a tone that plainly indicated her painful doubts. "Only don t say I didn t warn you if he burns Green Gables down or puts strychnine in the well--I heard of a case over in New Brunswick where an orphan asylum child did that and the whole family died in fearful agonies. Only, it was a girl in that instance." "Well, we re not getting a girl," said Marilla, as if poisoning wells were a purely feminine accomplishment and not to be dreaded in the case of a boy. "I d never dream of taking a girl to bring up. 「I d never dream of taking a girl to bring up.」女の子を育てようとはしていない、と強調。さらに次の文でも。アンが来たときの状況の伏線となる。アンが来ることは、読者にとってはほとんど自明なので（本の題名からしても、そして、きっと本の紹介でもアンが来ることは書かれるでしょうから）、来てどうなるかの伏線と考えなければなるまい、と思うのです I wonder at Mrs. Alexander Spencer for doing it. But there, SHE wouldn t shrink from adopting a whole orphan asylum if she took it into her head." Mrs. Rachel would have liked to stay until Matthew came home with his imported orphan. But reflecting that it would be a good two hours at least before his arrival she concluded to go up the road to Robert Bell s and tell the news. It would certainly make a sensation second to none, and Mrs. Rachel dearly loved to make a sensation. So she took herself away, somewhat to Marilla s relief, for the latter felt her doubts and fears reviving under the influence of Mrs. Rachel s pessimism. "Well, of all things that ever were or will be!" ejaculated Mrs. Rachel when she was safely out in the lane. "It does really seem as if I must be dreaming. Well, I m sorry for that poor young one and no mistake. Matthew and Marilla don t know anything about children and they ll expect him to be wiser and steadier that his own grandfather, if so be s he ever had a grandfather, 「if so be s he ever had a grandfather」be s がよくわからない。be は be動詞で、仮定法で原型になっているのでしょうけれども、 sが何なのかが…… そこで「"if so be s"」をキーワードにして、検索をしてみたら、面白いページ発見（ここ）。日本人がわからないと質問し、ネイティブ英語話者があーかも、こーかも、と書いています。日本人がわからなくても、ここは、おっけいなのです！議論を読み解くのは何か混乱してしまうのですが、be s は、be as の略と考えればよさそうです。この議論（というか質疑というか）から受け取れるメッセージは、１．古い英語なので現代英語と違うところがある、２．この英語表現はアナタは使ってはいけない、３．『赤毛のアン』は多少難しいところもあるけれも面白いからがんばって読んでね、です。これから英語で読もうとしている方にははげみになるでしょう！ジツはこの第１章の印象を書くのは全部読んだ後なので、ワタシへの励ましには時すでに遅し、でしたが（印象は第26章から書きはじめ、最後まで書いたので第１章に戻ってきたのです） which is doubtful. It seems uncanny to think of a child at Green Gables somehow; there s never been one there, for Matthew and Marilla were grown up when the new house was built-- 「the new house was built」今のグリーンゲイブルズができたときには、マシューもマリラも大きくなっていた。その前はどうだったのでしょう……。建て替え、かしら if they ever WERE children, which is hard to believe when one looks at them. I wouldn t be in that orphan s shoes for anything. My, but I pity him, that s what." So said Mrs. Rachel to the wild rose bushes out of the fulness of her heart; but if she could have seen the child who was waiting patiently at the Bright River station at that very moment her pity would have been still deeper and more profound. UP CHAPTER II 19 August 2007 8 October 2007 一番上のリンクのミスを訂正 今日 - | 昨日 - | Total - since 19 August 2007 last update 2007-10-08 17 02 35 (Mon)
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Ouverture ACTE I Une place publique à Sparte 1 - Introduction CHOEUR Vers tes autels, Jupin, nous accourons joyeux, A toi nos voeux! Nous voici tous à tes genoux!l Dieu souverain des Dieux toi dont la barbe est d or écoute nos accents, ô Jupiter Stator! Vers tes autels nous accourons joyeux. Accepte nos offrandes, père des immortels. Accepte nos offrandes, pour parer tes autels. Accepte ces corbeilles de joncs et de roseaux et ces grappes vermeilles et ces deux tourtereaux. Accepte nos offrandes. Vers tes autels, Jupin, etc. CALCHAS Trop de fleurs. Trop de fleurs... Tristes offrandes... Tous ces bouquets nous encombrent... Sinistres offrandes! … Ah... Il est loin le temps béni des tas de boeufs fumants et des entrailles de mouton... Quant aux dieux! … Ils s en vont. PHILOCOME Pas tous, Seigneur, voyez Vénus. CALCHAS Oui, merci, je sais... J ai vu dans « Les Echos de Cythère» la courbe des offrandes du mois passé. Scandaleux l PHILOCOME Il va faire des affaires l augure de Vénus. CALCHAS Evidemment, ils n en ont que pour elle. C est depuis le concours du mont Ida, depuis qu elle a vaincu Minerve, et Junon, grâce à ce berger, ce Pâris. Et sous les yeux de Jupiter, notre père, qui maintenant est dans une de ces baisses ... Trop de fleurs, ami, trop de fleurs... Ce n est plus un sacrifice, c est Interflora ! PHILOCOME Une déesse? CALCHAS Non, Presque. Enfin, bref, il y a un pépin. La journée sera chaude. PHILOCOME grivois L anniversaire... CALCHAS L anniversaire... La fête d Adonis. Ce jour, Vénus, filant le secourir, déchira ses petits pieds vide sou sang colora les ruses qui n étaient que blanches avant l événement. Cette histoire est d un poétique!l A propos, tu porteras ce bouquet à la petite M égara, celle qui tient le magasin «Hercule» près du temple de Bacchus. Trop de fleurs... Tristes offrandes... Sinistres offrandes... Tais-toi! La journée commence voici venir la plus belle moitié de Sparte, les pleureuses d Adonis guidées par notre splendide souveraine. 1bis - Choeur des jeunes filles CHOEUR C est le devoir des jeunes filles, rejetons des grandes familles, de soupirer dc temps en temps sur la mort des beaux jeunes gens. HÉLÈNE animée Adonis, nous versons dus ai mes sur ton sort et toi, Vénus, vois nos alarmes. L amour se meurt, l amour est mort! CHOEUR L amour se meurt, l amour est mort! 2a - Couplets HÉLÈNE Amours divins! Ardentes flammes! Vénus! Adonis! Gloire à vous! Le feu brûlant nos folles âmes, Hélas, ce feu n est plus en nous. Ecoute-nous, Vénus, Vénus la blonde, il nous faut de l amour, n en fût-il plus au monde! CHOEUR Il nous faut de l amour, n en fût-il plus au monde! HÉLÈNE Il nous faut de l amour, nous voulons de l amour! Les temps présents sont plats et fades Plus d amour, plus de passion! Et nos pauvres âmes malades se meurent de consomption! Ecoute-nous, Vénus, Vénus la blonde, il nous faut de l amour, n en fût-il plus au monde! CHOEUR Nous voulons de l amour, n en fût-il plus au monde! Le choeur des femmes a disparu. Hélène reste seule avec Calchas. HÉLÈNE Calchas, restez. CALCHAS Toujours, fille de Léda. Mais, j ai sacrifice... HÉLÈNE Le sacrifice attendra. CALCHAS Quest-ce qu il y a encore? Voyons... HÉLÈNE Il y a... Vous allez dire que je suis folle, comme l autre fois ... CALCHAS Reine! Jamais! Le respect... HÉLÈNE Non, Calchas, l histoire du mont Ida, j y pense sans cesse. Ce bois, ces déesses, cette pomme et ce berger... Oh, ce berger... ! Vous n avez pas eu de nouveaux détails? CALCHAS Non, reine, désolé. Bon... Le sacrifice… HÉLÈNE Calchas, dites-moi! Redites-moi! Pour remercier ce berger, Vénus lui a promis l amour de la plus belle femme du monde, oui? …Oui? CALCHAS Oui, je vous dis. C est officiel. HÉLÈNE Et la plus belle femme du monde? CALCHAS C est vous! HÉLÈNE Taisez-vous, taisez-vous C est elle. Par mon père! Toujours elle! CALCHAS Elle? Qui, elle? HÉLÈNE La fatalité, la fatalité qui vit près de moi. CALCHAS Ça, au moins, c est vrai. Bien... Grande reine... HÉLÈNE Ma naissance, Calchas, mon hérédité, vous la connaissez? Ce cygne traqué par un aigle que Léda sauva dans ses bras... Ce cygne, c était mon père, comment voulez-vous que je sois une femme ordinaire? Asseyez-vous Calchas, aidez-moi, vous qui connaissez les égarements de ma jeunesse, après tous ces naufrages, j avais cru arriver au port. CALCHAS C était Ménélas,.. HÉLÈNE J ai tout fait pour l aimer. Tout, tout. Je n ai pas pu... hélas, je n ai pas pu... CALCHAS Quand on ne peut pas … on ne peut pas! HÉLÈNE Qu est-ce qu il va devenir?... Dieux! J aurais tant aimé une vie calme et bourgeoise à Mitylène... Pourtant ... C est Vénus qui ordonne. Et la fatalité..., la fatalité... CALCHAS C est une excuse. HÉLÈNE Tais-toi, entends, Calchas, le peuple qui m accuse et qui, suivant mon char, immense et belle foule crie Ça, ça n est pas une reine, c est une poule. CALCHAS Une poule? HÉLÈNE Est-ce ma faute à moi, si je suis la fille d un oiseau? 2bis CALCHAS pendant la musique Non... bien sûr. Mais entrez, entrez grande Reine, voici venir Oreste! HÉLÈNE Oh! Mon chou de neveu! CALCHAS Oui, et assez mal accompagné... HÉLÈNE C est de famille... Oh, les Atrides... Il est sans doute avec Parthénis. Elle n est pas vilaine, cette Parthénis, il n y a vraiment que ces filles pour s habiller comme ça l Hélène sort. 3 - Chanson d Oreste ORESTE Au cabaret du labyrinthe, cette nuit, j ai soupé, mon vieux, avec ces filles de Corinthe, tout ce que la Grèce a de mieux. C est Parthénis et Léoena qui m ont dit te vouloir connaître. CALCHAS Pouvais-je m attendre à cela? Mesdames, j ai bien l honneur d être... ORESTE C est Parthénis et Léoena. CHOEUR DES JEUNES FILLES C est Parthénis et Léoena. CALCHAS C est Parthénis et Léoena. ORESTE Tzing la la, tzing la la, oya Kephale, Kephale, o la la! TOUS Tzing la la, tzing la la, oya Kephale, Kephale, o la la! ORESTE Regardez ces petits nez roses, petites mains et pieds mignons, et toutes ces petites choses qui font les grandes passions. C est Parthénis et Léoena qui m ont dit te vouloir connaître. CALCHAS Pouvais-je m attendre à cela? Mesdames, j ai bien l honneur d être... ORESTE C est Parthénis et Léoena. CHOEUR DES JEUNES FILLES C est Parthénis et Léoena. CALCHAS C est Parthénis et Léoena. ORESTE Tzing la la, tzing la la, oya Kephale, Kephale, o la la! TOUS Tzing la la, tzing la la, oya Kephale, Kephale, o la la! ORESTE C est avec ces dames qu Oreste fait danser l argent à papa. Papa s en fiche bien au reste car c est la Grèce qui paiera. C est Parthénis et Léoena qui m ont dit te vouloir connaître. CALCHAS Pouvais-je m attendre à cela? Mesdames, j ai bien l honneur d être... ORESTE C est Parthénis et Léoena. CHOEUR DES JEUNES FILLES C est Parthénis et Léoena. CALCHAS C est Parthénis et Léoena. ORESTE Tzing la la, tzing la la, oya Kephale, Kephale, o la la! TOUS Tzing la la, tzing la la, oya Kephale, Kephale, o la la! ORESTE Mesdemoiselles, voici le Calchas demandé! Calchas le célèbre augure, l oracle officiel d Agamemnon, eh, Calchas, quoi! CALCHAS Enchanté... Excusez-moi, un sacrifice pressé... LÉOENA Un sacrifice … aujourd hui? PARTHÉNIS A quelle occase? CALCHAS Tiens, vous parlez l Argos? PARTHÉNIS Quand ça m vient! CALCHAS Eh bien, à l occase de la fête d Adonis. Et vous ne pouvez pas rentrer. Je vous connais, vous allez encore troubler le sacrifice. C est la Reine, elle-même, qui préside la cérémonie. ORESTE La reine? Ma tante Hélène? Elle n est pas très bien placée... CALCHAS Jeune homme! ORESTE Très bien, ne nous fâchons pas, nous nous inclinons et nous partons. Ciao, Calchas, bisous à ma tante! 3bis - Sortie d Oreste ORESTE, CHOEUR Tzing la la, tzing la la, oya Kephale, Kephale, o la la! CALCHAS Tzing la la, tzing la la! Mes Dieux! Et dire que c est le fils d Agamemnon!Ah la folle, la folle jeunesse! Moi aussi, autrefois, j aurai pu... Hélas, les dieux n ont pas voulu... Bon, maintenant, au sacrifice, au sacrifice!l PÂRIS Monsieur? C est vous le devin de Jupiter? CALCHAS Oui, c est moi. à part Mais qu est-ce qu ils ont tous?... Excusez-moi, mais je suis occupé, oc-cu-pé! Un sacrifice extrêmement en retard! PÂRIS Le sacrifice attendra. CALCHAS Pardon? Vous voulez peut-être que je vous tire les cartes? Comme dans les faubourgs de Phrygie! PÂRIS à part Quel devin... à lui Vous avez reçu la lettre de Vénus? CALCHAS Pas du tout, monsieur. à part Un fou! Il ne manquait plus que cela... PÂRIS C est bizarre... la colombe est partie avant moi... CALCHAS à part Au secours! PÂRIS Vous ne me croyez pas, monsieur? Alors, regardez... 4 - Mélodrame Musique très douce à l orchestre CALCHAS Quoi ? PÂRIS Là-bas, dans l azur... ce petit point qui grossit, grossit, grossit ...... CALCHAS regardant Eh bien, c est un oiseau. PÂRIS Eh bien, c est ma colombe. Et c est ma lettre. CALCHAS Par Vénus! PÂRIS Comme vous dites... CALCHAS Mais, mais!... Qu est-ce qu elle veut, là? La colombe, arrivant de la droite, vient s abattre sur le doigt de Pâris. Elle bat des ailes et tient une lettre dans son bec. PÂRIS Elle demande s il y a une réponse. à la colombe Il n y en a pas. CALCHAS regardant la lettre Le timbre de Cythère... C est bien de Vénus. Vénus... 5 - Mélodrame CALCHAS lisant Homme de vingt ans à la tête blonde, un berger viendra. An nom de Vénus, qui sortit de l onde, Calchas l entendra. À ce doux berger dont Vénus proclame le goût merveilleux, Vénus a promis la plus belle femme qui soit sous les cieux. Lors, quand paraîtra la divine Hélène, fille de Léda, Calchas an berger montrera la reine en disant «Voilà!» PÂRIS Voilà! CALCHAS Alors, c est vous, Pâris, le fils du roi Priam, le frère du grand Hector? Mais vous savez qu on parle de vous partout, les télés, les journaux, les oracles, partout ! Alors c est vous, ce jugement? PÂRIS Eh oui, c est moi. CALCHAS Donc, vous avez vu la déesse? PÂRIS Comme je vous vois, enfin … CALCHAS Et ça ne vous embêterait pas de... PÂRIS De quoi? CALCHAS De me donner un petit aperçu... PÂRIS Mais pas du tout monsieur, écoutez l aperçu. 6 - Le jugement de Pâris PÂRIS Au mont Ida, trois Déesses se querellaient dans un bois. Quelle est, disaient ces Princesses, la plus belle de nous trois? Evohé, que ces Déesses, pour enjôler les garçons, évohé, que ces Déesses ont de drôles de façons. Dans ce bois passe un jeune homme, un jeune homme Irais et beau (C est moi!) Sa main tenait une pomme, vous voyez bien le tableau. Ah, holà, eh! Le beau jeune homme, im instant, arrêtez-vous, et veuillez donner la pomme à la plus belle de nous. Evohé, que ces Déesses, pour enjôler les garçons, évohé, que ces Déesses ont de drôles de façons. L une dit j ai ma réserve, ma pudeur, ma chasteté, donne le prix à Minerve, Minerve l a mérité. Evohé, que ces Déesses, ont de drôles de façons. L autre dit j ai ma naissance, mon orgueil et mon paon. Je dois l emporter, je pense, donne la pomme à Junon. Evohé, que ces Déesses, ont de drôles de façons pour enjôler les garçons, . La troisième, ah, la troisième! La troisième ne dit rien; Elle eut le prix tout de même, Calchas, vous m entendez bien! Evohé, que ces Déesses, pour enjôler les garçons, évohé, que ces Déesses ont de drôles de façons. CALCHAS Compliments. félicitations, bravo! Vénus ordonne, j obéirai! Mes oracles et moi sommes à votre service. Faut-il vous présenter tout de suite à la reine? PÂRIS Oui, mais sans dire qui je suis. Entrent les pleureuses d Adonis et Hélène qui vient la dernière. Quand elle paraît, elle est frappée par la beauté du berger. Emotion de Pâris. CALCHAS à Pâris Lors, quand paraîtra la divine Hélène, fille de Léda, Calchas au berger montrera la reine en disant «Voilà!» Les femmes sortent. Hélène reste. Un je ne sais quoi la retient... HÉLÈNE Calchas! CALCHAS Reine? HÉLÈNE montrant Pâris Qui est ce jeune homme? CALCHAS Un étranger. HÉLÈNE Sa profession?... CALCHAS Berger. HÉLÈNE Berger?... Heureuses les bergères si ce n est qu un berger... Mais laisse-nous donc, Calchas. Je vais l interroger. CALCHAS Puisque Vénus ordonne, c est la fatalité. HÉLÈNE qui tressaille è ce mot Oh … Sort Calchas. Pourquoi suis-je troublée ainsi? Pourquoi? Jeune homme? PÂRIS Princesse? HÉLÈNE Les dieux parfois s amusent à se présenter sous un déguisement... PÂRIS Je ne suis qu un mortel... Un berger. HÉLÈNE Un berger? PÂRIS On m a dit qu il y aurait un concours. Je suis venu dans l espoir de me faire remarquer. HÉLÈNE Par ta beauté? PÂRIS Par mon intelligence. HÉLÈNE tournant autour de lui Très beau de face. Merveilleux de profil. Superbe de trois-quarts. Lève un peu la tête. N ouvre pas la bouche. Voilà, comme ça … La vache!... C est beau, un beau berger! Ben, ferme ta bouche!… PÂRIS Oh Vénus... HÉLÈNE Oh!... J oublie tout à t admirer.. Quelle heure est-il? PÂRIS regardant en l air Trois heures vingt-cinq. HÉLÈNE Tliens, j ai deux heures et quart! Trois heures vingt-cinq! Et la cérémonie qui va commencer! CALCHAS Reine, attention, le cortège! HÉLÈNE Il faut nous séparer, je voudrais te revoir. PÂRIS Oh, vous me reverrez! CALCHAS Reine! Voici les rois qui viennent, HÉLÈNE Allons ceindre le diadème et remettre un peu d Eau d lssey. CALCHAS C est très tendance, à Sparte! Hélène sort. Paris disparaît. ORESTE Le cortège de papa! Tout le monde entre. Oreste se place dans le coin à gauche avec Calchas. 7a - Marche et couplets des rois CHOEUR Voici les rois de la Grèce! Il faut que le choeur s empresse de les nommer par leur nom. Ça! Peuple, faisons silence! Voici les rois de la Grèce! Il faut que le choeur s empresse de les nommer par leur nom. Voici les rois! Voici les rois! Voici les rois! AJAX PREMIER Ces rois remplis de vaillance, -plis de vaillance, -plis de vaillance, c est les deux Ajax! ORESTE, CALCHAS Les deux Ajax! AJAX DEUXIÈME Etalant t avec jactance, t avec jactance, t avec jactance, leur double thorax... ORESTE, CALCHAS Leur dou-, double thorax! AJAX PREMIER Parmi le fracas immense des cuivres de Sax... LES DEUX AJAX Ces rois remplis de vaillance, -plis de vaillance, -plis de vaillance, c est les deux Ajax, les deux, les deux Ajax! TOUS Ces rois remplis de vaillance, c est les deux Ajax! ACHILLE entrant Je suis le bouillant Achille, le bouillant Achille, le bouillant Achille, le grand myrmidon! ORESTE, LES DEUX AJAX, CALCHAS Le myr-, le myrmidon! ACHILLE Combattant un contre mille, un contre mille, un contre mille, grâce à mon plongeon! ORESTE, LES DEUX AJAX, CALCHAS Grâce, grâce au plongeon! ACHILLE J aurais l esprit bien tranquille, n était mon talon! Je suis le bouillant Achille, le bouillant Achille, le bouillant Achille, le grand myrmidon, le myr-, le myrmidon! LES MÊMES, LE CHOEUR Voici le bouillant Achille, le bouillant Achille, le grand myrmidon! MÉNÉLAS entrant Je suis l époux de la reine, -poux de la reine, -poux de la reine, le roi Ménélas! ORESTE, ACHILLE, LES DEUX AJAX, CALCHAS Le Méné-, le Ménélas! MÉNÉLAS Je crains bien qu un jour Hélène, qu un jour Hélène, qu un jour Hélène, je le dis tout bas... TOUS Il le dit tout, tout, tout bas! MÉNÉLAS Ne me fasse de la peine, n anticipons pas. Je suis l époux de la reine, -poux de la reine, -poux de la reine, le roi Ménélas, le Mé-, le Ménélas! TOUS Il l époux de la reine, -poux de la reine, -poux de la reine, le roi Ménélas! AGAMEMNON entrant Le roi barbu qui s avance, -bu qui s avance, -bu qui s avance, c est Agamemnon... TOUS Aga-, Agamemnon! AGAMEMNON Et ce nom seul nie dispense, seul me dispense, seul me dispense, d en dire plus long. TOUS d en di-, dire plus long. AGAMEMNON J en ai assez dit, je pense, en disant mon nom, le roi barbu qui s avance, -bu qui s avance, -bu qui s avance, c est Agamemnon, Aga-, Agamemnon. TOUS Le roi barbu qui s avance, c est Agamemnon! Aga-, Aga-, Agamemnon! CALCHAS qui ramène Hélène La Reine! 7bis - Reprise de la marche CHOEUR Voici les rois de la Grèce! Il faut que le choeur s empresse de les nommer par leur nom. Voici les rois de la Grèce! Voici les rois, voici les rois! AGAMEMNON Rois et peuples de la Grèce, salut à vous! Cette journée ne sera consacrée qu aux choses de l intelligence. Des forts, des braves, nous en avons. Les deux Ajax sont forts, le bouillant Achille est fort, moi même, hé... Ce que nous n avons pas, ce que nous n avons plus, ce sont des gens d esprit. La Grèce s abrutit. Achéens, mes amis, il ne s agira pas aujourd hui de lancer le char ou de conduire le disque, jeunes élèves, rois, poètes, bergers... HÉLÈNE Berger? AGAMEMNON Tous sont également admis à disputer le prix. Et vous, fanfares, sonnez pour mon éloquence en attendant le triomphe du lauréat. ORESTE Bravo papa! AGAMEMNON Nous commençons. Ménélas, mon frère, veuillez donner lecture. MÉNÉLAS Avec coeur. Mon premier est le lac chez nos voisins d Albion. Mon deuxième, c est vous ou moi. Mon troisième, quand cuit le poisson, empêche l odeur du graillon. TOUS Hotte! hotte! AGAMEMNON Le troisième c est «hotte». L abrutissement n est pas aussi complet qu on pourrait croire. Bien... Continuez, roi Ménélas. MÉNÉLAS Mon quatrième est une rive où manque l air absolument. Mon tout par les chemins s en va comme le vent. C est terminé. AGAMEMNON Eh bien, allez-y, jeunes athlètes! AJAX PREMIER Anecdotique! AJAX DEUXIÈME Emmailloté! ACHILLE Carotte! Ils répètent ces trois mots tous les trois ensemble. AGAMEMNON Qui a dit «anecdotique»? AJAX PREMIER Moi! AGAMEMNON Et pourquoi? âne d abord, pourquoi? AJAX PREMIER Le roi a dit «c est vous ou moi»! MÉNÉLAS Oh! ça vous allez un petit peu loin. AGAMEMNON C est la deuxième syllabe, cher ami. Pauvre garçon... Et qui a dit «emmailloté»? AJAX DEUXIÈME Moi, mais je le retire. AGAMEMNON Ouais. Et si j ai un conseil à donner à celui qui a dit «carotte», c est d eu faire autant. ACHILLE Et pourquoi ? Enfin! ... il y a «hotte» dans «carotte». Dans «carotte » il y a «hotte»! AGAMEMNON Bon, cherchons quelqu un de plus malin. Personne? Pâris s avance. HÉLÈNE défaillant Oh lui... AGAMEMNON Un berger! Que veux-tu? PÂRIS Dire la charade! ACHILLE Jeune prétentieux! AGAMEMNON Il est vrai qu après les rois, ça ne fait pas... Bref! Parle! Vite! Nous t écoutons. PÂRIS Mon premier est le lac chez les voisins d Albion «loch»... MÉNÉLAS Oui, oui, oui... PÂRIS Mon deuxième, c est vous ou moi «homme»... HÉLÈNE Oh oui, oui... PÂRIS Mon troisième quand cuit le poisson empêche l odeur du graillon... ACHILLE «Hotte»! AGAMEMNON Tout le monde l a dit! ACHILLE Oui, eh bien je t attends au quatrième. PÂRIS Il est bête, le quatrième, mais il n est pas difficile. Une rive sans r «ive»... Loch-homme-hotte-ive! ACHILLE Locomotive! J ai trouvé! PÂRIS Oui, locomotive! Et c est fort d avoir trouvé ça quatre mille ans avant l invention des chemins de fer! ACHILLE Et c est moi qui l ai dit! AGAMEMNON Achille, vous commencez à me... Taisez-vous! Le berger a gagné. HÉLÈNE Vainqueur! C est mon vainqueur! ORESTE Fanfare, fanfare pour l inconnu! TOUS Gloire! AGAMEMNON Et maintenant, les bouts rimés. Les bouts rimés, deuxième épreuve! Ménélas, lisez les rimes. MÉNÉLAS Me voici! C est un peu facile. C est pour un premier concours... très vite Chaîne, poids, peine, trois. Chaîne, poids, peine, trois. AGAMEMNON Allons-y mes poètes! Enfonçons le berger! CALCHAS On redemande les rimes! MÉNÉLAS Chaîne, poids, peine, trois. AJAX DEUXIÈME A moi messieurs! c est un quatrain … Toute chaîne a de poids, toute peine en a trois. AGAMEMNON Vous comprenez, Ménélas? MÉNÉLAS Pas du tout, mais c est joli, c est doux, ça ne veut rien dire, mais c est doux. Vous ferez école, Ajax. ACHILLE A moi! Attachez-moi avec une grosse chaîne, mettez-moi dans le dos une quantité de poids, et malgré tout ça je m en irai sans peine jusqu à Troie. AGAMEMNON Ce ne sont pas des vers! ACHILLE Mais pourquoi? AGAMEMNON Oh! si c est toute une education... Nous n avons pas le temps... AJAX PREMIER Ah c est le roi... TOUS Le berger! le berger! Ah!... PÂRIS On me redemande? HÉLÈNE Yes... MÉNÉLAS V la qu elle parle grec! ... Je consens! HÉLÈNE Parle! ... PÂRIS Et moi je dis Quand on est deux, l hymen est une chaîne dont il est malaisé de supporter le poids... HÉLÈNE Oui … PÂRIS … mais on la sent peser à peine quand on est trois. HÉLÈNE Merveilleux.., délicieux.. MÉNÉLAS Je n ai pas tout compris, mais c est bien tapé! AGAMEMNON A vous berger, la couronne de lauriers... 8 - Finale TOUS Gloire! Gloire, gloire au berger victorieux! Il est vraiment ingénieux. Gloire, gloire au berger victorieux! ACHILLE furax Vaincu! Par un berger! AGAMEMNON Quel est donc ce quidam? PÂRIS Ce quidam est Pâris, le fils du roi Priam! TOUS Pâris! HÉLÈNE O ciel, ô ciel! L homme à la pomme! PÂRIS L homme à la pomme! TOUS O ciel, c est l homme à la pomme! L homme à la pomme, ô ciel! Ah, ah, ah, ah! MÉNÉLAS très content Ainsi vous êtes gentilhomme? Vraiment, vraiment j en suis bien aise. Hélène, avec chagrin, eût de sa noble main posé le vert laurier sur le front d un vilain. à Hélène Couronnez-le, Madame. HÉLÈNE avec transport Ah ! De toute mon âme! TOUS Gloire â Pâris victorieux! Il est vraiment ingénieux. MÉNÉLAS Et maintenant, j espère, pour ce soir, que dans nos royales demeures nous aurons l honneur de vous voir. HÉLÈNE avec sentiment Nous dînons à sept heures... Nous nous mettons à table à sept heures. PÂRIS Fille de Jupiter, je ne l oublierai pas. Non, non, non, non, je ne l oublierai pas. HÉLÈNE à part C est la fatalité qui le met sur mes pas! CALCHAS à Pâris Eh bien! Es-tu bien content? PÂRIS bas Je le serai bien davantage si ce monarque était absent! CALCHAS Je vais arranger ça! PÂRIS Merci mon bon Calchas! CALCHAS Philocome, à l ouvrage! Coup de tonnerre. Saisissement. AGAMEMNON Oh! La foudre gronde et voilà le monde tout interloqué, oui, tout interloqué! TOUS Ce coup de tonnerre, annonce à la terre, annonce à la terre un communiqué! CALCHAS comme taquiné par une main invisible Depuis les pieds jusqu à la tête je sens comme un chatouillement. Finis, Jupiter, que c est bête! LE CHOEUR Ecoutons tous, c est le moment! CALCHAS comme inspiré Les dieux décrètent, décrètent par ma voix, par ma voix, Jupiter décrète, Jupiter décrète il faut que Ménélas aille passer un mois... MÉNÉLAS Où çà? CALCHAS … dans les montagnes de la Crète. MÉNÉLAS Allons, bon! Partir pour la Crète! HÉLÈNE Allez, partez pour la Crète! PÂRIS Mon bon Calchas, merci, merci! MÉNÉLAS Que diable vais-je faire en Crète? TOUS Allez, partez pour la Crète. Va, pars, va, pars! Partez, partez, partez! HÉLÈNE à Ménélas Va-t-en, mon loulou, va-t-en n importe où! Ah, ah! Le roi plaintif qui s embarque, -tif qui s embarque, -tif qui s embarque, est bien imprudent. TOUS Bien im-, bien imprudent. HÉLÈNE Et le peuple entier remarque, pl entier remarque, pl entier remarque, que dans un moment... TOUS Dans un, dans un moment... HÉLÈNE Il sera, pour ce monarque, fâcheux d être absent. Le roi plaintif qui s embarque, -tif qui s embarque, -tif qui s embarque, est bien imprudent. bien im-, bien imprudent. TOUS Le roi plaintif qui s embarque, -tif qui s embarque, -tif qui s embarque, est bien imprudent. Va, pars, va, pars, pars pour la Crête. Que rien ne t arrête, ni flots ni tempête. Va, pars, pars pour la Crête. Gagne, Ménélas, le pays lointain où te mène, hélas, la voix du destin! Adieux de Ménélas. Joie de Pâris. Ouverture ACTE I Une place publique à Sparte 1 - Introduction CHOEUR Vers tes autels, Jupin, nous accourons joyeux, A toi nos voeux! Nous voici tous à tes genoux!l Dieu souverain des Dieux toi dont la barbe est d or écoute nos accents, ô Jupiter Stator! Vers tes autels nous accourons joyeux. Accepte nos offrandes, père des immortels. Accepte nos offrandes, pour parer tes autels. Accepte ces corbeilles de joncs et de roseaux et ces grappes vermeilles et ces deux tourtereaux. Accepte nos offrandes. Vers tes autels, Jupin, etc. CALCHAS Trop de fleurs. Trop de fleurs... Tristes offrandes... Tous ces bouquets nous encombrent... Sinistres offrandes! … Ah... Il est loin le temps béni des tas de boeufs fumants et des entrailles de mouton... Quant aux dieux! … Ils s en vont. PHILOCOME Pas tous, Seigneur, voyez Vénus. CALCHAS Oui, merci, je sais... J ai vu dans « Les Echos de Cythère» la courbe des offrandes du mois passé. Scandaleux l PHILOCOME Il va faire des affaires l augure de Vénus. CALCHAS Evidemment, ils n en ont que pour elle. C est depuis le concours du mont Ida, depuis qu elle a vaincu Minerve, et Junon, grâce à ce berger, ce Pâris. Et sous les yeux de Jupiter, notre père, qui maintenant est dans une de ces baisses ... Trop de fleurs, ami, trop de fleurs... Ce n est plus un sacrifice, c est Interflora ! PHILOCOME Une déesse? CALCHAS Non, Presque. Enfin, bref, il y a un pépin. La journée sera chaude. PHILOCOME grivois L anniversaire... CALCHAS L anniversaire... La fête d Adonis. Ce jour, Vénus, filant le secourir, déchira ses petits pieds vide sou sang colora les ruses qui n étaient que blanches avant l événement. Cette histoire est d un poétique!l A propos, tu porteras ce bouquet à la petite M égara, celle qui tient le magasin «Hercule» près du temple de Bacchus. Trop de fleurs... Tristes offrandes... Sinistres offrandes... Tais-toi! La journée commence voici venir la plus belle moitié de Sparte, les pleureuses d Adonis guidées par notre splendide souveraine. 1bis - Choeur des jeunes filles CHOEUR C est le devoir des jeunes filles, rejetons des grandes familles, de soupirer dc temps en temps sur la mort des beaux jeunes gens. HÉLÈNE animée Adonis, nous versons dus ai mes sur ton sort et toi, Vénus, vois nos alarmes. L amour se meurt, l amour est mort! CHOEUR L amour se meurt, l amour est mort! 2a - Couplets HÉLÈNE Amours divins! Ardentes flammes! Vénus! Adonis! Gloire à vous! Le feu brûlant nos folles âmes, Hélas, ce feu n est plus en nous. Ecoute-nous, Vénus, Vénus la blonde, il nous faut de l amour, n en fût-il plus au monde! CHOEUR Il nous faut de l amour, n en fût-il plus au monde! HÉLÈNE Il nous faut de l amour, nous voulons de l amour! Les temps présents sont plats et fades Plus d amour, plus de passion! Et nos pauvres âmes malades se meurent de consomption! Ecoute-nous, Vénus, Vénus la blonde, il nous faut de l amour, n en fût-il plus au monde! CHOEUR Nous voulons de l amour, n en fût-il plus au monde! Le choeur des femmes a disparu. Hélène reste seule avec Calchas. HÉLÈNE Calchas, restez. CALCHAS Toujours, fille de Léda. Mais, j ai sacrifice... HÉLÈNE Le sacrifice attendra. CALCHAS Quest-ce qu il y a encore? Voyons... HÉLÈNE Il y a... Vous allez dire que je suis folle, comme l autre fois ... CALCHAS Reine! Jamais! Le respect... HÉLÈNE Non, Calchas, l histoire du mont Ida, j y pense sans cesse. Ce bois, ces déesses, cette pomme et ce berger... Oh, ce berger... ! Vous n avez pas eu de nouveaux détails? CALCHAS Non, reine, désolé. Bon... Le sacrifice… HÉLÈNE Calchas, dites-moi! Redites-moi! Pour remercier ce berger, Vénus lui a promis l amour de la plus belle femme du monde, oui? …Oui? CALCHAS Oui, je vous dis. C est officiel. HÉLÈNE Et la plus belle femme du monde? CALCHAS C est vous! HÉLÈNE Taisez-vous, taisez-vous C est elle. Par mon père! Toujours elle! CALCHAS Elle? Qui, elle? HÉLÈNE La fatalité, la fatalité qui vit près de moi. CALCHAS Ça, au moins, c est vrai. Bien... Grande reine... HÉLÈNE Ma naissance, Calchas, mon hérédité, vous la connaissez? Ce cygne traqué par un aigle que Léda sauva dans ses bras... Ce cygne, c était mon père, comment voulez-vous que je sois une femme ordinaire? Asseyez-vous Calchas, aidez-moi, vous qui connaissez les égarements de ma jeunesse, après tous ces naufrages, j avais cru arriver au port. CALCHAS C était Ménélas,.. HÉLÈNE J ai tout fait pour l aimer. Tout, tout. Je n ai pas pu... hélas, je n ai pas pu... CALCHAS Quand on ne peut pas … on ne peut pas! HÉLÈNE Qu est-ce qu il va devenir?... Dieux! J aurais tant aimé une vie calme et bourgeoise à Mitylène... Pourtant ... C est Vénus qui ordonne. Et la fatalité..., la fatalité... CALCHAS C est une excuse. HÉLÈNE Tais-toi, entends, Calchas, le peuple qui m accuse et qui, suivant mon char, immense et belle foule crie Ça, ça n est pas une reine, c est une poule. CALCHAS Une poule? HÉLÈNE Est-ce ma faute à moi, si je suis la fille d un oiseau? 2bis CALCHAS pendant la musique Non... bien sûr. Mais entrez, entrez grande Reine, voici venir Oreste! HÉLÈNE Oh! Mon chou de neveu! CALCHAS Oui, et assez mal accompagné... HÉLÈNE C est de famille... Oh, les Atrides... Il est sans doute avec Parthénis. Elle n est pas vilaine, cette Parthénis, il n y a vraiment que ces filles pour s habiller comme ça l Hélène sort. 3 - Chanson d Oreste ORESTE Au cabaret du labyrinthe, cette nuit, j ai soupé, mon vieux, avec ces filles de Corinthe, tout ce que la Grèce a de mieux. C est Parthénis et Léoena qui m ont dit te vouloir connaître. CALCHAS Pouvais-je m attendre à cela? Mesdames, j ai bien l honneur d être... ORESTE C est Parthénis et Léoena. CHOEUR DES JEUNES FILLES C est Parthénis et Léoena. CALCHAS C est Parthénis et Léoena. ORESTE Tzing la la, tzing la la, oya Kephale, Kephale, o la la! TOUS Tzing la la, tzing la la, oya Kephale, Kephale, o la la! ORESTE Regardez ces petits nez roses, petites mains et pieds mignons, et toutes ces petites choses qui font les grandes passions. C est Parthénis et Léoena qui m ont dit te vouloir connaître. CALCHAS Pouvais-je m attendre à cela? Mesdames, j ai bien l honneur d être... ORESTE C est Parthénis et Léoena. CHOEUR DES JEUNES FILLES C est Parthénis et Léoena. CALCHAS C est Parthénis et Léoena. ORESTE Tzing la la, tzing la la, oya Kephale, Kephale, o la la! TOUS Tzing la la, tzing la la, oya Kephale, Kephale, o la la! ORESTE C est avec ces dames qu Oreste fait danser l argent à papa. Papa s en fiche bien au reste car c est la Grèce qui paiera. C est Parthénis et Léoena qui m ont dit te vouloir connaître. CALCHAS Pouvais-je m attendre à cela? Mesdames, j ai bien l honneur d être... ORESTE C est Parthénis et Léoena. CHOEUR DES JEUNES FILLES C est Parthénis et Léoena. CALCHAS C est Parthénis et Léoena. ORESTE Tzing la la, tzing la la, oya Kephale, Kephale, o la la! TOUS Tzing la la, tzing la la, oya Kephale, Kephale, o la la! ORESTE Mesdemoiselles, voici le Calchas demandé! Calchas le célèbre augure, l oracle officiel d Agamemnon, eh, Calchas, quoi! CALCHAS Enchanté... Excusez-moi, un sacrifice pressé... LÉOENA Un sacrifice … aujourd hui? PARTHÉNIS A quelle occase? CALCHAS Tiens, vous parlez l Argos? PARTHÉNIS Quand ça m vient! CALCHAS Eh bien, à l occase de la fête d Adonis. Et vous ne pouvez pas rentrer. Je vous connais, vous allez encore troubler le sacrifice. C est la Reine, elle-même, qui préside la cérémonie. ORESTE La reine? Ma tante Hélène? Elle n est pas très bien placée... CALCHAS Jeune homme! ORESTE Très bien, ne nous fâchons pas, nous nous inclinons et nous partons. Ciao, Calchas, bisous à ma tante! 3bis - Sortie d Oreste ORESTE, CHOEUR Tzing la la, tzing la la, oya Kephale, Kephale, o la la! CALCHAS Tzing la la, tzing la la! Mes Dieux! Et dire que c est le fils d Agamemnon!Ah la folle, la folle jeunesse! Moi aussi, autrefois, j aurai pu... Hélas, les dieux n ont pas voulu... Bon, maintenant, au sacrifice, au sacrifice!l PÂRIS Monsieur? C est vous le devin de Jupiter? CALCHAS Oui, c est moi. à part Mais qu est-ce qu ils ont tous?... Excusez-moi, mais je suis occupé, oc-cu-pé! Un sacrifice extrêmement en retard! PÂRIS Le sacrifice attendra. CALCHAS Pardon? Vous voulez peut-être que je vous tire les cartes? Comme dans les faubourgs de Phrygie! PÂRIS à part Quel devin... à lui Vous avez reçu la lettre de Vénus? CALCHAS Pas du tout, monsieur. à part Un fou! Il ne manquait plus que cela... PÂRIS C est bizarre... la colombe est partie avant moi... CALCHAS à part Au secours! PÂRIS Vous ne me croyez pas, monsieur? Alors, regardez... 4 - Mélodrame Musique très douce à l orchestre CALCHAS Quoi ? PÂRIS Là-bas, dans l azur... ce petit point qui grossit, grossit, grossit ...... CALCHAS regardant Eh bien, c est un oiseau. PÂRIS Eh bien, c est ma colombe. Et c est ma lettre. CALCHAS Par Vénus! PÂRIS Comme vous dites... CALCHAS Mais, mais!... Qu est-ce qu elle veut, là? La colombe, arrivant de la droite, vient s abattre sur le doigt de Pâris. Elle bat des ailes et tient une lettre dans son bec. PÂRIS Elle demande s il y a une réponse. à la colombe Il n y en a pas. CALCHAS regardant la lettre Le timbre de Cythère... C est bien de Vénus. Vénus... 5 - Mélodrame CALCHAS lisant Homme de vingt ans à la tête blonde, un berger viendra. An nom de Vénus, qui sortit de l onde, Calchas l entendra. À ce doux berger dont Vénus proclame le goût merveilleux, Vénus a promis la plus belle femme qui soit sous les cieux. Lors, quand paraîtra la divine Hélène, fille de Léda, Calchas an berger montrera la reine en disant «Voilà!» PÂRIS Voilà! CALCHAS Alors, c est vous, Pâris, le fils du roi Priam, le frère du grand Hector? Mais vous savez qu on parle de vous partout, les télés, les journaux, les oracles, partout ! Alors c est vous, ce jugement? PÂRIS Eh oui, c est moi. CALCHAS Donc, vous avez vu la déesse? PÂRIS Comme je vous vois, enfin … CALCHAS Et ça ne vous embêterait pas de... PÂRIS De quoi? CALCHAS De me donner un petit aperçu... PÂRIS Mais pas du tout monsieur, écoutez l aperçu. 6 - Le jugement de Pâris PÂRIS Au mont Ida, trois Déesses se querellaient dans un bois. Quelle est, disaient ces Princesses, la plus belle de nous trois? Evohé, que ces Déesses, pour enjôler les garçons, évohé, que ces Déesses ont de drôles de façons. Dans ce bois passe un jeune homme, un jeune homme Irais et beau (C est moi!) Sa main tenait une pomme, vous voyez bien le tableau. Ah, holà, eh! Le beau jeune homme, im instant, arrêtez-vous, et veuillez donner la pomme à la plus belle de nous. Evohé, que ces Déesses, pour enjôler les garçons, évohé, que ces Déesses ont de drôles de façons. L une dit j ai ma réserve, ma pudeur, ma chasteté, donne le prix à Minerve, Minerve l a mérité. Evohé, que ces Déesses, ont de drôles de façons. L autre dit j ai ma naissance, mon orgueil et mon paon. Je dois l emporter, je pense, donne la pomme à Junon. Evohé, que ces Déesses, ont de drôles de façons pour enjôler les garçons, . La troisième, ah, la troisième! La troisième ne dit rien; Elle eut le prix tout de même, Calchas, vous m entendez bien! Evohé, que ces Déesses, pour enjôler les garçons, évohé, que ces Déesses ont de drôles de façons. CALCHAS Compliments. félicitations, bravo! Vénus ordonne, j obéirai! Mes oracles et moi sommes à votre service. Faut-il vous présenter tout de suite à la reine? PÂRIS Oui, mais sans dire qui je suis. Entrent les pleureuses d Adonis et Hélène qui vient la dernière. Quand elle paraît, elle est frappée par la beauté du berger. Emotion de Pâris. CALCHAS à Pâris Lors, quand paraîtra la divine Hélène, fille de Léda, Calchas au berger montrera la reine en disant «Voilà!» Les femmes sortent. Hélène reste. Un je ne sais quoi la retient... HÉLÈNE Calchas! CALCHAS Reine? HÉLÈNE montrant Pâris Qui est ce jeune homme? CALCHAS Un étranger. HÉLÈNE Sa profession?... CALCHAS Berger. HÉLÈNE Berger?... Heureuses les bergères si ce n est qu un berger... Mais laisse-nous donc, Calchas. Je vais l interroger. CALCHAS Puisque Vénus ordonne, c est la fatalité. HÉLÈNE qui tressaille è ce mot Oh … Sort Calchas. Pourquoi suis-je troublée ainsi? Pourquoi? Jeune homme? PÂRIS Princesse? HÉLÈNE Les dieux parfois s amusent à se présenter sous un déguisement... PÂRIS Je ne suis qu un mortel... Un berger. HÉLÈNE Un berger? PÂRIS On m a dit qu il y aurait un concours. Je suis venu dans l espoir de me faire remarquer. HÉLÈNE Par ta beauté? PÂRIS Par mon intelligence. HÉLÈNE tournant autour de lui Très beau de face. Merveilleux de profil. Superbe de trois-quarts. Lève un peu la tête. N ouvre pas la bouche. Voilà, comme ça … La vache!... C est beau, un beau berger! Ben, ferme ta bouche!… PÂRIS Oh Vénus... HÉLÈNE Oh!... J oublie tout à t admirer.. Quelle heure est-il? PÂRIS regardant en l air Trois heures vingt-cinq. HÉLÈNE Tliens, j ai deux heures et quart! Trois heures vingt-cinq! Et la cérémonie qui va commencer! CALCHAS Reine, attention, le cortège! HÉLÈNE Il faut nous séparer, je voudrais te revoir. PÂRIS Oh, vous me reverrez! CALCHAS Reine! Voici les rois qui viennent, HÉLÈNE Allons ceindre le diadème et remettre un peu d Eau d lssey. CALCHAS C est très tendance, à Sparte! Hélène sort. Paris disparaît. ORESTE Le cortège de papa! Tout le monde entre. Oreste se place dans le coin à gauche avec Calchas. 7a - Marche et couplets des rois CHOEUR Voici les rois de la Grèce! Il faut que le choeur s empresse de les nommer par leur nom. Ça! Peuple, faisons silence! Voici les rois de la Grèce! Il faut que le choeur s empresse de les nommer par leur nom. Voici les rois! Voici les rois! Voici les rois! AJAX PREMIER Ces rois remplis de vaillance, -plis de vaillance, -plis de vaillance, c est les deux Ajax! ORESTE, CALCHAS Les deux Ajax! AJAX DEUXIÈME Etalant t avec jactance, t avec jactance, t avec jactance, leur double thorax... ORESTE, CALCHAS Leur dou-, double thorax! AJAX PREMIER Parmi le fracas immense des cuivres de Sax... LES DEUX AJAX Ces rois remplis de vaillance, -plis de vaillance, -plis de vaillance, c est les deux Ajax, les deux, les deux Ajax! TOUS Ces rois remplis de vaillance, c est les deux Ajax! ACHILLE entrant Je suis le bouillant Achille, le bouillant Achille, le bouillant Achille, le grand myrmidon! ORESTE, LES DEUX AJAX, CALCHAS Le myr-, le myrmidon! ACHILLE Combattant un contre mille, un contre mille, un contre mille, grâce à mon plongeon! ORESTE, LES DEUX AJAX, CALCHAS Grâce, grâce au plongeon! ACHILLE J aurais l esprit bien tranquille, n était mon talon! Je suis le bouillant Achille, le bouillant Achille, le bouillant Achille, le grand myrmidon, le myr-, le myrmidon! LES MÊMES, LE CHOEUR Voici le bouillant Achille, le bouillant Achille, le grand myrmidon! MÉNÉLAS entrant Je suis l époux de la reine, -poux de la reine, -poux de la reine, le roi Ménélas! ORESTE, ACHILLE, LES DEUX AJAX, CALCHAS Le Méné-, le Ménélas! MÉNÉLAS Je crains bien qu un jour Hélène, qu un jour Hélène, qu un jour Hélène, je le dis tout bas... TOUS Il le dit tout, tout, tout bas! MÉNÉLAS Ne me fasse de la peine, n anticipons pas. Je suis l époux de la reine, -poux de la reine, -poux de la reine, le roi Ménélas, le Mé-, le Ménélas! TOUS Il l époux de la reine, -poux de la reine, -poux de la reine, le roi Ménélas! AGAMEMNON entrant Le roi barbu qui s avance, -bu qui s avance, -bu qui s avance, c est Agamemnon... TOUS Aga-, Agamemnon! AGAMEMNON Et ce nom seul nie dispense, seul me dispense, seul me dispense, d en dire plus long. TOUS d en di-, dire plus long. AGAMEMNON J en ai assez dit, je pense, en disant mon nom, le roi barbu qui s avance, -bu qui s avance, -bu qui s avance, c est Agamemnon, Aga-, Agamemnon. TOUS Le roi barbu qui s avance, c est Agamemnon! Aga-, Aga-, Agamemnon! CALCHAS qui ramène Hélène La Reine! 7bis - Reprise de la marche CHOEUR Voici les rois de la Grèce! Il faut que le choeur s empresse de les nommer par leur nom. Voici les rois de la Grèce! Voici les rois, voici les rois! AGAMEMNON Rois et peuples de la Grèce, salut à vous! Cette journée ne sera consacrée qu aux choses de l intelligence. Des forts, des braves, nous en avons. Les deux Ajax sont forts, le bouillant Achille est fort, moi même, hé... Ce que nous n avons pas, ce que nous n avons plus, ce sont des gens d esprit. La Grèce s abrutit. Achéens, mes amis, il ne s agira pas aujourd hui de lancer le char ou de conduire le disque, jeunes élèves, rois, poètes, bergers... HÉLÈNE Berger? AGAMEMNON Tous sont également admis à disputer le prix. Et vous, fanfares, sonnez pour mon éloquence en attendant le triomphe du lauréat. ORESTE Bravo papa! AGAMEMNON Nous commençons. Ménélas, mon frère, veuillez donner lecture. MÉNÉLAS Avec coeur. Mon premier est le lac chez nos voisins d Albion. Mon deuxième, c est vous ou moi. Mon troisième, quand cuit le poisson, empêche l odeur du graillon. TOUS Hotte! hotte! AGAMEMNON Le troisième c est «hotte». L abrutissement n est pas aussi complet qu on pourrait croire. Bien... Continuez, roi Ménélas. MÉNÉLAS Mon quatrième est une rive où manque l air absolument. Mon tout par les chemins s en va comme le vent. C est terminé. AGAMEMNON Eh bien, allez-y, jeunes athlètes! AJAX PREMIER Anecdotique! AJAX DEUXIÈME Emmailloté! ACHILLE Carotte! Ils répètent ces trois mots tous les trois ensemble. AGAMEMNON Qui a dit «anecdotique»? AJAX PREMIER Moi! AGAMEMNON Et pourquoi? âne d abord, pourquoi? AJAX PREMIER Le roi a dit «c est vous ou moi»! MÉNÉLAS Oh! ça vous allez un petit peu loin. AGAMEMNON C est la deuxième syllabe, cher ami. Pauvre garçon... Et qui a dit «emmailloté»? AJAX DEUXIÈME Moi, mais je le retire. AGAMEMNON Ouais. Et si j ai un conseil à donner à celui qui a dit «carotte», c est d eu faire autant. ACHILLE Et pourquoi ? Enfin! ... il y a «hotte» dans «carotte». Dans «carotte » il y a «hotte»! AGAMEMNON Bon, cherchons quelqu un de plus malin. Personne? Pâris s avance. HÉLÈNE défaillant Oh lui... AGAMEMNON Un berger! Que veux-tu? PÂRIS Dire la charade! ACHILLE Jeune prétentieux! AGAMEMNON Il est vrai qu après les rois, ça ne fait pas... Bref! Parle! Vite! Nous t écoutons. PÂRIS Mon premier est le lac chez les voisins d Albion «loch»... MÉNÉLAS Oui, oui, oui... PÂRIS Mon deuxième, c est vous ou moi «homme»... HÉLÈNE Oh oui, oui... PÂRIS Mon troisième quand cuit le poisson empêche l odeur du graillon... ACHILLE «Hotte»! AGAMEMNON Tout le monde l a dit! ACHILLE Oui, eh bien je t attends au quatrième. PÂRIS Il est bête, le quatrième, mais il n est pas difficile. Une rive sans r «ive»... Loch-homme-hotte-ive! ACHILLE Locomotive! J ai trouvé! PÂRIS Oui, locomotive! Et c est fort d avoir trouvé ça quatre mille ans avant l invention des chemins de fer! ACHILLE Et c est moi qui l ai dit! AGAMEMNON Achille, vous commencez à me... Taisez-vous! Le berger a gagné. HÉLÈNE Vainqueur! C est mon vainqueur! ORESTE Fanfare, fanfare pour l inconnu! TOUS Gloire! AGAMEMNON Et maintenant, les bouts rimés. Les bouts rimés, deuxième épreuve! Ménélas, lisez les rimes. MÉNÉLAS Me voici! C est un peu facile. C est pour un premier concours... très vite Chaîne, poids, peine, trois. Chaîne, poids, peine, trois. AGAMEMNON Allons-y mes poètes! Enfonçons le berger! CALCHAS On redemande les rimes! MÉNÉLAS Chaîne, poids, peine, trois. AJAX DEUXIÈME A moi messieurs! c est un quatrain … Toute chaîne a de poids, toute peine en a trois. AGAMEMNON Vous comprenez, Ménélas? MÉNÉLAS Pas du tout, mais c est joli, c est doux, ça ne veut rien dire, mais c est doux. Vous ferez école, Ajax. ACHILLE A moi! Attachez-moi avec une grosse chaîne, mettez-moi dans le dos une quantité de poids, et malgré tout ça je m en irai sans peine jusqu à Troie. AGAMEMNON Ce ne sont pas des vers! ACHILLE Mais pourquoi? AGAMEMNON Oh! si c est toute une education... Nous n avons pas le temps... AJAX PREMIER Ah c est le roi... TOUS Le berger! le berger! Ah!... PÂRIS On me redemande? HÉLÈNE Yes... MÉNÉLAS V la qu elle parle grec! ... Je consens! HÉLÈNE Parle! ... PÂRIS Et moi je dis Quand on est deux, l hymen est une chaîne dont il est malaisé de supporter le poids... HÉLÈNE Oui … PÂRIS … mais on la sent peser à peine quand on est trois. HÉLÈNE Merveilleux.., délicieux.. MÉNÉLAS Je n ai pas tout compris, mais c est bien tapé! AGAMEMNON A vous berger, la couronne de lauriers... 8 - Finale TOUS Gloire! Gloire, gloire au berger victorieux! Il est vraiment ingénieux. Gloire, gloire au berger victorieux! ACHILLE furax Vaincu! Par un berger! AGAMEMNON Quel est donc ce quidam? PÂRIS Ce quidam est Pâris, le fils du roi Priam! TOUS Pâris! HÉLÈNE O ciel, ô ciel! L homme à la pomme! PÂRIS L homme à la pomme! TOUS O ciel, c est l homme à la pomme! L homme à la pomme, ô ciel! Ah, ah, ah, ah! MÉNÉLAS très content Ainsi vous êtes gentilhomme? Vraiment, vraiment j en suis bien aise. Hélène, avec chagrin, eût de sa noble main posé le vert laurier sur le front d un vilain. à Hélène Couronnez-le, Madame. HÉLÈNE avec transport Ah ! De toute mon âme! TOUS Gloire â Pâris victorieux! Il est vraiment ingénieux. MÉNÉLAS Et maintenant, j espère, pour ce soir, que dans nos royales demeures nous aurons l honneur de vous voir. HÉLÈNE avec sentiment Nous dînons à sept heures... Nous nous mettons à table à sept heures. PÂRIS Fille de Jupiter, je ne l oublierai pas. Non, non, non, non, je ne l oublierai pas. HÉLÈNE à part C est la fatalité qui le met sur mes pas! CALCHAS à Pâris Eh bien! Es-tu bien content? PÂRIS bas Je le serai bien davantage si ce monarque était absent! CALCHAS Je vais arranger ça! PÂRIS Merci mon bon Calchas! CALCHAS Philocome, à l ouvrage! Coup de tonnerre. Saisissement. AGAMEMNON Oh! La foudre gronde et voilà le monde tout interloqué, oui, tout interloqué! TOUS Ce coup de tonnerre, annonce à la terre, annonce à la terre un communiqué! CALCHAS comme taquiné par une main invisible Depuis les pieds jusqu à la tête je sens comme un chatouillement. Finis, Jupiter, que c est bête! LE CHOEUR Ecoutons tous, c est le moment! CALCHAS comme inspiré Les dieux décrètent, décrètent par ma voix, par ma voix, Jupiter décrète, Jupiter décrète il faut que Ménélas aille passer un mois... MÉNÉLAS Où çà? CALCHAS … dans les montagnes de la Crète. MÉNÉLAS Allons, bon! Partir pour la Crète! HÉLÈNE Allez, partez pour la Crète! PÂRIS Mon bon Calchas, merci, merci! MÉNÉLAS Que diable vais-je faire en Crète? TOUS Allez, partez pour la Crète. Va, pars, va, pars! Partez, partez, partez! HÉLÈNE à Ménélas Va-t-en, mon loulou, va-t-en n importe où! Ah, ah! Le roi plaintif qui s embarque, -tif qui s embarque, -tif qui s embarque, est bien imprudent. TOUS Bien im-, bien imprudent. HÉLÈNE Et le peuple entier remarque, pl entier remarque, pl entier remarque, que dans un moment... TOUS Dans un, dans un moment... HÉLÈNE Il sera, pour ce monarque, fâcheux d être absent. Le roi plaintif qui s embarque, -tif qui s embarque, -tif qui s embarque, est bien imprudent. bien im-, bien imprudent. TOUS Le roi plaintif qui s embarque, -tif qui s embarque, -tif qui s embarque, est bien imprudent. Va, pars, va, pars, pars pour la Crête. Que rien ne t arrête, ni flots ni tempête. Va, pars, pars pour la Crête. Gagne, Ménélas, le pays lointain où te mène, hélas, la voix du destin! Adieux de Ménélas. Joie de Pâris. Offenbach,Jacques/La belle Hélène/II
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Bibliothek der schönen Wissenschaften und freien Künste Hrsg. F. Nicolai, M. Mendelssohn; ab Bd. 5 C.F. Weisse, Leipzig, Bd. 1.1757-12.1765. http //www.ub.uni-bielefeld.de/diglib/aufkl/bibschoewiss/index.htm 5.Bd., 1759 Winckelmann, "Erinnerung über die Betrachtung der Werke der Kunst", pp. 1-13. "Réflexions sur les ouvrages de l art", Journal Étranger, 1760(Avril), pp. 48-. 本文では "Bibliothéque des belles-lettres et des beaux-arts". Winckelmann, "Von der Grazie in Werken der Kunst", pp. 13-23. "Réflexions sur la Grace dans les Ouvrages de l Art, d après M. l Abbé Winckelmann (éxtrait)", par François Arnaud, Journal Étranger, Juillet, 1760. ********************************
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Pulsed Neural Networks (Bradford Book) Mit Pr? Wolfgang Maass? Christopher M. Bishop? MitPr? WolfgangMaass? ChristopherM.Bishop? ジャンル別? ユーズドブック(洋書)-Computers&Internet? ユーズドブック(洋書)-Science? Subjects-Computers&Internet-Networking-Networks,Protocols&APIs-Networks? Subjects-Computers&Internet-Networking-Networks,Protocols&APIs-General? Subjects-Computers&Internet-CertificationCentral-Subjects-Networking? Subjects-Computers&Internet-CertificationCentral-General? Subjects-Computers&Internet-ComputerScience-ArtificialIntelligence-NeuralNetworks? Subjects-Computers&Internet-General? Subjects-Science-Technology-General&Reference Optimal Control Systems (Electrical Engineering Handbook) Crc Pr I Llc? Desineni Subbaram Naidu? CrcPrILlc? DesineniSubbaramNaidu? ジャンル別? ユーズドブック(洋書)-Computers&Internet? ユーズドブック(洋書)-Engineering ユーズドブック(洋書)-Professional&Technical? ユーズドブック(洋書)-Science? Subjects-Computers&Internet-General? Subjects-Engineering-Aerospace-AdvancedMechanics? 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CHAPTER I UP CHAPTER III CHAPTER II Matthew Cuthbert is surprised Matthew Cuthbert and the sorrel mare jogged comfortably over the eight miles to Bright River. It was a pretty road, running along between snug farmsteads, with now and again a bit of balsamy fir wood to drive through or a hollow where wild plums hung out their filmy bloom. The air was sweet with the breath of many apple orchards and the meadows sloped away in the distance to horizon mists of pearl and purple; while "The little birds sang as if it were The one day of summer in all the year." Matthew enjoyed the drive after his own fashion, except during the moments when he met women and had to nod to them-- for in Prince Edward island you are supposed to nod to all and sundry you meet on the road whether you know them or not. Matthew dreaded all women except Marilla and Mrs. Rachel; he had an uncomfortable feeling that the mysterious creatures were secretly laughing at him. He may have been quite right in thinking so, for he was an odd-looking personage, with an ungainly figure and long iron-gray hair that touched his stooping shoulders, and a full, soft brown beard which he had worn ever since he was twenty. In fact, he had looked at twenty very much as he looked at sixty, lacking a little of the grayness. When he reached Bright River there was no sign of any train; he thought he was too early, so he tied his horse in the yard of the small Bright River hotel and went over to the station house. The long platform was almost deserted; the only living creature in sight being a girl who was sitting on a pile of shingles at the extreme end. Matthew, barely noting that it WAS a girl, sidled past her as quickly as possible without looking at her. Had he looked he could hardly have failed to notice the tense rigidity and expectation of her attitude and expression. She was sitting there waiting for something or somebody and, since sitting and waiting was the only thing to do just then, she sat and waited with all her might and main. Matthew encountered the stationmaster locking up the ticket office preparatory to going home for supper, and asked him if the five-thirty train would soon be along. "The five-thirty train has been in and gone half an hour ago," answered that brisk official. "But there was a passenger dropped off for you--a little girl. She s sitting out there on the shingles. I asked her to go into the ladies waiting room, but she informed me gravely that she preferred to stay outside. `There was more scope for imagination, she said. She s a case, I should say." "I m not expecting a girl," said Matthew blankly. "It s a boy I ve come for. He should be here. Mrs. Alexander Spencer was to bring him over from Nova Scotia for me." The stationmaster whistled. "Guess there s some mistake," he said. "Mrs. Spencer came off the train with that girl and gave her into my charge. Said you and your sister were adopting her from an orphan asylum and that you would be along for her presently. That s all I know about it--and I haven t got any more orphans concealed hereabouts." "I don t understand," said Matthew helplessly, wishing that Marilla was at hand to cope with the situation. "Well, you d better question the girl," said the station- master carelessly. "I dare say she ll be able to explain-- she s got a tongue of her own, that s certain. Maybe they were out of boys of the brand you wanted." He walked jauntily away, being hungry, and the unfortunate Matthew was left to do that which was harder for him than bearding a lion in its den--walk up to a girl--a strange girl--an orphan girl--and demand of her why she wasn t a boy. Matthew groaned in spirit as he turned about and shuffled gently down the platform towards her. She had been watching him ever since he had passed her and she had her eyes on him now. Matthew was not looking at her and would not have seen what she was really like if he had been, but an ordinary observer would have seen this A child of about eleven, garbed in a very short, very tight, very ugly dress of yellowish-gray wincey. She wore a faded brown sailor hat and beneath the hat, extending down her back, were two braids of very thick, decidedly red hair. Her face was small, white and thin, also much freckled; her mouth was large and so were her eyes, which looked green in some lights and moods and gray in others. So far, the ordinary observer; an extraordinary observer might have seen that the chin was very pointed and pronounced; that the big eyes were full of spirit and vivacity; that the mouth was sweet-lipped and expressive; that the forehead was broad and full; in short, our discerning extraordinary observer might have concluded that no commonplace soul inhabited the body of this stray woman- child of whom shy Matthew Cuthbert was so ludicrously afraid. Matthew, however, was spared the ordeal of speaking first, for as soon as she concluded that he was coming to her she stood up, grasping with one thin brown hand the handle of a shabby, old-fashioned carpet-bag; the other she held out to him. "I suppose you are Mr. Matthew Cuthbert of Green Gables?" she said in a peculiarly clear, sweet voice. "I m very glad to see you. I was beginning to be afraid you weren t coming for me and I was imagining all the things that might have happened to prevent you. I had made up my mind that if you didn t come for me to-night I d go down the track to that big wild cherry-tree at the bend, and climb up into it to stay all night. I wouldn t be a bit afraid, and it would be lovely to sleep in a wild cherry-tree all white with bloom in the moonshine, don t you think? You could imagine you were dwelling in marble halls, couldn t you? And I was quite sure you would come for me in the morning, if you didn t to-night." Matthew had taken the scrawny little hand awkwardly in his; then and there he decided what to do. He could not tell this child with the glowing eyes that there had been a mistake; he would take her home and let Marilla do that. She couldn t be left at Bright River anyhow, no matter what mistake had been made, so all questions and explanations might as well be deferred until he was safely back at Green Gables. "I m sorry I was late," he said shyly. "Come along. The horse is over in the yard. Give me your bag." "Oh, I can carry it," the child responded cheerfully. "It isn t heavy. I ve got all my worldly goods in it, but it isn t heavy. And if it isn t carried in just a certain way the handle pulls out--so I d better keep it because I know the exact knack of it. It s an extremely old carpet-bag. Oh, I m very glad you ve come, even if it would have been nice to sleep in a wild cherry-tree. We ve got to drive a long piece, haven t we? Mrs. Spencer said it was eight miles. I m glad because I love driving. Oh, it seems so wonderful that I m going to live with you and belong to you. I ve never belonged to anybody--not really. But the asylum was the worst. I ve only been in it four months, but that was enough. I don t suppose you ever were an orphan in an asylum, so you can t possibly understand what it is like. It s worse than anything you could imagine. Mrs. Spencer said it was wicked of me to talk like that, but I didn t mean to be wicked. It s so easy to be wicked without knowing it, isn t it? They were good, you know--the asylum people. But there is so little scope for the imagination in an asylum--only just in the other orphans. It was pretty interesting to imagine things about them--to imagine that perhaps the girl who sat next to you was really the daughter of a belted earl, who had been stolen away from her parents in her infancy by a cruel nurse who died before she could confess. I used to lie awake at nights and imagine things like that, because I didn t have time in the day. I guess that s why I m so thin--I AM dreadful thin, ain t I? There isn t a pick on my bones. I do love to imagine I m nice and plump, with dimples in my elbows." With this Matthew s companion stopped talking, partly because she was out of breath and partly because they had reached the buggy. Not another word did she say until they had left the village and were driving down a steep little hill, the road part of which had been cut so deeply into the soft soil, that the banks, fringed with blooming wild cherry-trees and slim white birches, were several feet above their heads. The child put out her hand and broke off a branch of wild plum that brushed against the side of the buggy. "Isn t that beautiful? What did that tree, leaning out from the bank, all white and lacy, make you think of?" she asked. "Well now, I dunno," said Matthew. "Why, a bride, of course--a bride all in white with a lovely misty veil. I ve never seen one, but I can imagine what she would look like. I don t ever expect to be a bride myself. I m so homely nobody will ever want to marry me-- unless it might be a foreign missionary. I suppose a foreign missionary mightn t be very particular. But I do hope that some day I shall have a white dress. That is my highest ideal of earthly bliss. I just love pretty clothes. And I ve never had a pretty dress in my life that I can remember--but of course it s all the more to look forward to, isn t it? And then I can imagine that I m dressed gorgeously. This morning when I left the asylum I felt so ashamed because I had to wear this horrid old wincey dress. All the orphans had to wear them, you know. A merchant in Hopeton last winter donated three hundred yards of wincey to the asylum. Some people said it was because he couldn t sell it, but I d rather believe that it was out of the kindness of his heart, wouldn t you? When we got on the train I felt as if everybody must be looking at me and pitying me. But I just went to work and imagined that I had on the most beautiful pale blue silk dress--because when you ARE imagining you might as well imagine something worth while--and a big hat all flowers and nodding plumes, and a gold watch, and kid gloves and boots. I felt cheered up right away and I enjoyed my trip to the Island with all my might. I wasn t a bit sick coming over in the boat. Neither was Mrs. Spencer although she generally is. She said she hadn t time to get sick, watching to see that I didn t fall overboard. She said she never saw the beat of me for prowling about. But if it kept her from being seasick it s a mercy I did prowl, isn t it? And I wanted to see everything that was to be seen on that boat, because I didn t know whether I d ever have another opportunity. Oh, there are a lot more cherry-trees all in bloom! This Island is the bloomiest place. I just love it already, and I m so glad I m going to live here. I ve always heard that Prince Edward Island was the prettiest place in the world, and I used to imagine I was living here, but I never really expected I would. It s delightful when your imaginations come true, isn t it? But those red roads are so funny. When we got into the train at Charlottetown and the red roads began to flash past I asked Mrs. Spencer what made them red and she said she didn t know and for pity s sake not to ask her any more questions. She said I must have asked her a thousand already. I suppose I had, too, but how you going to find out about things if you don t ask questions? And what DOES make the roads red?" "Well now, I dunno," said Matthew. "Well, that is one of the things to find out sometime. Isn t it splendid to think of all the things there are to find out about? It just makes me feel glad to be alive-- it s such an interesting world. It wouldn t be half so interesting if we know all about everything, would it? There d be no scope for imagination then, would there? But am I talking too much? People are always telling me I do. Would you rather I didn t talk? If you say so I ll stop. I can STOP when I make up my mind to it, although it s difficult." Matthew, much to his own surprise, was enjoying himself. Like most quiet folks he liked talkative people when they were willing to do the talking themselves and did not expect him to keep up his end of it. But he had never expected to enjoy the society of a little girl. Women were bad enough in all conscience, but little girls were worse. He detested the way they had of sidling past him timidly, with sidewise glances, as if they expected him to gobble them up at a mouthful if they ventured to say a word. That was the Avonlea type of well-bred little girl. But this freckled witch was very different, and although he found it rather difficult for his slower intelligence to keep up with her brisk mental processes he thought that he "kind of liked her chatter." So he said as shyly as usual "Oh, you can talk as much as you like. I don t mind." "Oh, I m so glad. I know you and I are going to get along together fine. It s such a relief to talk when one wants to and not be told that children should be seen and not heard. I ve had that said to me a million times if I have once. And people laugh at me because I use big words. But if you have big ideas you have to use big words to express them, haven t you?" "Well now, that seems reasonable," said Matthew. "Mrs. Spencer said that my tongue must be hung in the middle. But it isn t--it s firmly fastened at one end. Mrs. Spencer said your place was named Green Gables. I asked her all about it. And she said there were trees all around it. I was gladder than ever. I just love trees. And there weren t any at all about the asylum, only a few poor weeny-teeny things out in front with little whitewashed cagey things about them. They just looked like orphans themselves, those trees did. It used to make me want to cry to look at them. I used to say to them, `Oh, you POOR little things! If you were out in a great big woods with other trees all around you and little mosses and Junebells growing over your roots and a brook not far away and birds singing in you branches, you could grow, couldn t you? But you can t where you are. I know just exactly how you feel, little trees. I felt sorry to leave them behind this morning. You do get so attached to things like that, don t you? Is there a brook anywhere near Green Gables? I forgot to ask Mrs. Spencer that." "Well now, yes, there s one right below the house." "Fancy. It s always been one of my dreams to live near a brook. I never expected I would, though. Dreams don t often come true, do they? Wouldn t it be nice if they did? But just now I feel pretty nearly perfectly happy. I can t feel exactly perfectly happy because--well, what color would you call this?" She twitched one of her long glossy braids over her thin shoulder and held it up before Matthew s eyes. Matthew was not used to deciding on the tints of ladies tresses, but in this case there couldn t be much doubt. "It s red, ain t it?" he said. The girl let the braid drop back with a sigh that seemed to come from her very toes and to exhale forth all the sorrows of the ages. "Yes, it s red," she said resignedly. "Now you see why I can t be perfectly happy. Nobody could who has red hair. I don t mind the other things so much--the freckles and the green eyes and my skinniness. I can imagine them away. I can imagine that I have a beautiful rose-leaf complexion and lovely starry violet eyes. But I CANNOT imagine that red hair away. I do my best. I think to myself, `Now my hair is a glorious black, black as the raven s wing. But all the time I KNOW it is just plain red and it breaks my heart. It will be my lifelong sorrow. I read of a girl once in a novel who had a lifelong sorrow but it wasn t red hair. Her hair was pure gold rippling back from her alabaster brow. What is an alabaster brow? I never could find out. Can you tell me?" "Well now, I m afraid I can t," said Matthew, who was getting a little dizzy. He felt as he had once felt in his rash youth when another boy had enticed him on the merry-go- round at a picnic. "Well, whatever it was it must have been something nice because she was divinely beautiful. Have you ever imagined what it must feel like to be divinely beautiful?" "Well now, no, I haven t," confessed Matthew ingenuously. "I have, often. Which would you rather be if you had the choice--divinely beautiful or dazzlingly clever or angelically good?" "Well now, I--I don t know exactly." "Neither do I. I can never decide. But it doesn t make much real difference for it isn t likely I ll ever be either. It s certain I ll never be angelically good. Mrs. Spencer says--oh, Mr. Cuthbert! Oh, Mr. Cuthbert!! Oh, Mr. Cuthbert!!!" That was not what Mrs. Spencer had said; neither had the child tumbled out of the buggy nor had Matthew done anything astonishing. They had simply rounded a curve in the road and found themselves in the "Avenue." The "Avenue," so called by the Newbridge people, was a stretch of road four or five hundred yards long, completely arched over with huge, wide-spreading apple-trees, planted years ago by an eccentric old farmer. Overhead was one long canopy of snowy fragrant bloom. Below the boughs the air was full of a purple twilight and far ahead a glimpse of painted sunset sky shone like a great rose window at the end of a cathedral aisle. Its beauty seemed to strike the child dumb. She leaned back in the buggy, her thin hands clasped before her, her face lifted rapturously to the white splendor above. Even when they had passed out and were driving down the long slope to Newbridge she never moved or spoke. Still with rapt face she gazed afar into the sunset west, with eyes that saw visions trooping splendidly across that glowing background. Through Newbridge, a bustling little village where dogs barked at them and small boys hooted and curious faces peered from the windows, they drove, still in silence. When three more miles had dropped away behind them the child had not spoken. She could keep silence, it was evident, as energetically as she could talk. "I guess you re feeling pretty tired and hungry," Matthew ventured to say at last, accounting for her long visitation of dumbness with the only reason he could think of. "But we haven t very far to go now--only another mile." She came out of her reverie with a deep sigh and looked at him with the dreamy gaze of a soul that had been wondering afar, star-led. "Oh, Mr. Cuthbert," she whispered, "that place we came through--that white place--what was it?" "Well now, you must mean the Avenue," said Matthew after a few moments profound reflection. "It is a kind of pretty place." "Pretty? Oh, PRETTY doesn t seem the right word to use. Nor beautiful, either. They don t go far enough. Oh, it was wonderful--wonderful. It s the first thing I ever saw that couldn t be improved upon by imagination. It just satisfies me here"--she put one hand on her breast--"it made a queer funny ache and yet it was a pleasant ache. Did you ever have an ache like that, Mr. Cuthbert?" "Well now, I just can t recollect that I ever had." "I have it lots of time--whenever I see anything royally beautiful. But they shouldn t call that lovely place the Avenue. There is no meaning in a name like that. They should call it--let me see--the White Way of Delight. Isn t that a nice imaginative name? When I don t like the name of a place or a person I always imagine a new one and always think of them so. There was a girl at the asylum whose name was Hepzibah Jenkins, but I always imagined her as Rosalia DeVere. Other people may call that place the Avenue, but I shall always call it the White Way of Delight. Have we really only another mile to go before we get home? I m glad and I m sorry. I m sorry because this drive has been so pleasant and I m always sorry when pleasant things end. Something still pleasanter may come after, but you can never be sure. And it s so often the case that it isn t pleasanter. That has been my experience anyhow. But I m glad to think of getting home. You see, I ve never had a real home since I can remember. It gives me that pleasant ache again just to think of coming to a really truly home. Oh, isn t that pretty!" They had driven over the crest of a hill. Below them was a pond, looking almost like a river so long and winding was it. A bridge spanned it midway and from there to its lower end, where an amber-hued belt of sand-hills shut it in from the dark blue gulf beyond, the water was a glory of many shifting hues--the most spiritual shadings of crocus and rose and ethereal green, with other elusive tintings for which no name has ever been found. Above the bridge the pond ran up into fringing groves of fir and maple and lay all darkly translucent in their wavering shadows. Here and there a wild plum leaned out from the bank like a white-clad girl tip-toeing to her own reflection. From the marsh at the head of the pond came the clear, mournfully-sweet chorus of the frogs. There was a little gray house peering around a white apple orchard on a slope beyond and, although it was not yet quite dark, a light was shining from one of its windows. "That s Barry s pond," said Matthew. "Oh, I don t like that name, either. I shall call it--let me see--the Lake of Shining Waters. Yes, that is the right name for it. I know because of the thrill. When I hit on a name that suits exactly it gives me a thrill. Do things ever give you a thrill?" Matthew ruminated. "Well now, yes. It always kind of gives me a thrill to see them ugly white grubs that spade up in the cucumber beds. I hate the look of them." "Oh, I don t think that can be exactly the same kind of a thrill. Do you think it can? There doesn t seem to be much connection between grubs and lakes of shining waters, does there? But why do other people call it Barry s pond?" "I reckon because Mr. Barry lives up there in that house. Orchard Slope s the name of his place. If it wasn t for that big bush behind it you could see Green Gables from here. But we have to go over the bridge and round by the road, so it s near half a mile further." "Has Mr. Barry any little girls? Well, not so very little either--about my size." "He s got one about eleven. Her name is Diana." "Oh!" with a long indrawing of breath. "What a perfectly lovely name!" "Well now, I dunno. There s something dreadful heathenish about it, seems to me. I d ruther Jane or Mary or some sensible name like that. But when Diana was born there was a schoolmaster boarding there and they gave him the naming of her and he called her Diana." "I wish there had been a schoolmaster like that around when I was born, then. Oh, here we are at the bridge. I m going to shut my eyes tight. I m always afraid going over bridges. I can t help imagining that perhaps just as we get to the middle, they ll crumple up like a jack-knife and nip us. So I shut my eyes. But I always have to open them for all when I think we re getting near the middle. Because, you see, if the bridge DID crumple up I d want to SEE it crumple. What a jolly rumble it makes! I always like the rumble part of it. Isn t it splendid there are so many things to like in this world? There we re over. Now I ll look back. Good night, dear Lake of Shining Waters. I always say good night to the things I love, just as I would to people. I think they like it. That water looks as if it was smiling at me." When they had driven up the further hill and around a corner Matthew said "We re pretty near home now. That s Green Gables over--" "Oh, don t tell me," she interrupted breathlessly, catching at his partially raised arm and shutting her eyes that she might not see his gesture. "Let me guess. I m sure I ll guess right." She opened her eyes and looked about her. They were on the crest of a hill. The sun had set some time since, but the landscape was still clear in the mellow afterlight. To the west a dark church spire rose up against a marigold sky. Below was a little valley and beyond a long, gently-rising slope with snug farmsteads scattered along it. From one to another the child s eyes darted, eager and wistful. At last they lingered on one away to the left, far back from the road, dimly white with blossoming trees in the twilight of the surrounding woods. Over it, in the stainless southwest sky, a great crystal-white star was shining like a lamp of guidance and promise. "That s it, isn t it?" she said, pointing. Matthew slapped the reins on the sorrel s back delightedly. "Well now, you ve guessed it! But I reckon Mrs. Spencer described it so s you could tell." "No, she didn t--really she didn t. All she said might just as well have been about most of those other places. I hadn t any real idea what it looked like. But just as soon as I saw it I felt it was home. Oh, it seems as if I must be in a dream. Do you know, my arm must be black and blue from the elbow up, for I ve pinched myself so many times today. Every little while a horrible sickening feeling would come over me and I d be so afraid it was all a dream. Then I d pinch myself to see if it was real--until suddenly I remembered that even supposing it was only a dream I d better go on dreaming as long as I could; so I stopped pinching. But it IS real and we re nearly home." With a sigh of rapture she relapsed into silence. Matthew stirred uneasily. He felt glad that it would be Marilla and not he who would have to tell this waif of the world that the home she longed for was not to be hers after all. They drove over Lynde s Hollow, where it was already quite dark, but not so dark that Mrs. Rachel could not see them from her window vantage, and up the hill and into the long lane of Green Gables. By the time they arrived at the house Matthew was shrinking from the approaching revelation with an energy he did not understand. It was not of Marilla or himself he was thinking of the trouble this mistake was probably going to make for them, but of the child s disappointment. When he thought of that rapt light being quenched in her eyes he had an uncomfortable feeling that he was going to assist at murdering something--much the same feeling that came over him when he had to kill a lamb or calf or any other innocent little creature. The yard was quite dark as they turned into it and the poplar leaves were rustling silkily all round it. "Listen to the trees talking in their sleep," she whispered, as he lifted her to the ground. "What nice dreams they must have!" Then, holding tightly to the carpet-bag which contained "all her worldly goods," she followed him into the house. CHAPTER I UP CHAPTER III 今日 - | 昨日 - | Total - since 04 June 2007 last update 2007-06-05 01 32 53 (Tue)
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Como Es Una PC y Como Funciona Editorial Quark? Peter Parker? EditorialQuark? PeterParker? ジャンル別? Substores-UnknownASINs-56? Subjects-Nonfiction-ForeignLanguageNonfiction-Spanish? Subjects-Science-Technology-General&Reference The Reparacion y Actualizacion de Computadoras Editorial Quark Editorial Quark? Horacio Daniel Vallejo? EditorialQuarkEditorialQuark? HoracioDanielVallejo? ジャンル別? Substores-UnknownASINs-56? Subjects-Nonfiction-ForeignLanguageNonfiction-Spanish? Subjects-Science-Technology-General&Reference Video Grabadores Teoria, Practica, Ajustes y Di Editorial Quark? Horacio Daniel Vallejo? EditorialQuark? HoracioDanielVallejo? ジャンル別? Substores-UnknownASINs-56? Subjects-Nonfiction-ForeignLanguageNonfiction-Spanish? Subjects-Science-Technology-General&Reference Cuaderno del Tecnico Reparador de Equipos Elec... Editorial Quark? Alberto Picerno? EditorialQuark? AlbertoPicerno? ジャンル別? Substores-UnknownASINs-56? Subjects-Nonfiction-ForeignLanguageNonfiction-Spanish? 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